Question: Who was the composer of Overture in G major?

Marie Louis Charles Zanobi Salvador Cherubini

Overture (Bruckner)

Anton Bruckner composed the Overture in G minor, WAB 98 in 1862–63, during his tuition by Otto Kitzler.

Karl Goldmark

in E-flat major, Op. 43), and numerous concert overtures, such as the Sakuntala Overture Op. 13 (a work which cemented his fame after his String Quartet), the Penthesilea Overture Op. 31, the In the Spring Overture Op. 36, the Prometheus Bound Overture Op. 38, the Sappho Overture Op. 44, the In Italy Overture Op. 49, and the Aus Jugendtagen Overture, Op. 53. Other orchestral works include the symphonic poem Zrínyi, Op. 47, and two orchestral scherzos, in E minor, Op. 19, and in A major, Op. 45. Goldmark's nephew Rubin Goldmark (1872–1936), a pupil of Dvořák, was also a composer, who spent his career in New York.

Francesco Maria Veracini

In addition to violin sonatas, edited by Ferdinand David, operas and oratorios, Veracini also wrote violin concertos, sonatas for recorder and basso continuo, and orchestral suites, called Overtures. The six Overtures were performed for Prince Friedrich August in Venice in 1716, as part of Veracini's ultimately successful attempt to secure a position at the Dresden court. They are all either in F major or B-flat major, except for one in G minor. The last one of these, in B-flat major, is remarkable for concluding with a unison minuet. Veracini also wrote a "lively, highly original theory treatise", Il trionfo della pratica musicale, and edited other composers' works, adding "improvements" of his own, such as he did in his Dissertazioni with the Opus 5 Violin Sonatas of Arcangelo Corelli.

Overture (Bruckner)

In the fall of 1862, when studying with Otto Kitzler in Linz, Bruckner composed his first orchestral compositions: the Four Orchestral Pieces (the March in D minor and the Three Pieces for orchestra). His next orchestral composition was an Overture in G minor, WAB 98. A sketch of the Overture, which was started in November 1862, is found in the Kizler-Studienbuch pp. 287–301. A first version of the Overture was completed on 24 December 1862. On 6 January 1863 Bruckner started with the composition of a new coda, which he finished on 22 January 1863. The original manuscript of the Overture contains both the 1863 version and, on pp. 44–50, its 1862 coda. The manuscript,

List of compositions by Luigi Boccherini

G 490: Overture in D major (second movement related to G478) ; G 491: Sinfonia concertante Op. 7 in C major ; G 492: 6 Divertimenti (6 Sextets) Op. 16, G 461–466 ; G 493: Symphony Op. 21 No. 1 in B-flat major ; G 494: Symphony Op. 21 No. 2 in E-flat major ; G 495: Symphony Op. 21 No. 3 in C major ; G 496: Symphony Op. 21 No. 4 in D major ; G 497: Symphony Op. 21 No. 5 in B-flat major ; G 498: Symphony Op. 21 No. 6 in A major ; G 499: Sinfonia concertante in G major (= G470) ; G 500: Symphony in D major ; G 501: Serenade

Overture in G major (Cherubini)

Overture in G major (Cherubini)

The Overture in G major by Luigi Cherubini (1760-1842) is an orchestral work written for concert use in early 1815. It is unusual among Cherubini's overtures in that his other, better known overtures (such as those to "Anacreon", "Médée", "Les deux journées" and "Ali Baba"), were intended to introduce stage works. Although born in Italy Cherubini had been living in France since 1784, and had earned world fame through a series of operas composed for the Paris stage. In the first decade of the nineteenth century the vogue for his dramatic works began to wane, and he turned increasingly to sacred music.

William Tell Overture

William Tell Overture

The "William Tell" Overture is the overture to the opera "William Tell" (original French title "Guillaume Tell"), whose music was composed by Gioachino Rossini. "William Tell" premiered in 1829 and was the last of Rossini's 39 operas, after which he went into semi-retirement (he continued to compose cantatas, sacred music and secular vocal music). The overture is in four parts, each following without pause.

There has been repeated use (and sometimes parody) of parts of this overture in both classical music and popular media. It was the theme music for "The Lone Ranger" in radio, television and film, and has become widely associated with horseback riding since then. Two different parts were also used as theme music for the British television series "The Adventures of William Tell", the fourth part (popularly identified in the US with "The Lone Ranger") in the UK, and the third part, rearranged as a stirring march, in the US.

Franz Liszt prepared a piano transcription of the overture in 1838 (S.552) which became a staple of his concert repertoire. There are also transcriptions by other composers, including versions by Louis Gottschalk for two and four pianos and a duet for piano and violin.

Georg Philipp Telemann

Symphony No. 32 (Mozart)

Symphony No. 32 (Mozart)

The Symphony No. 32 in G major, K. 318, was written by Wolfgang Amadeus Mozart in 1779, after his return from Paris.

Johann Friedrich Fasch

Johann Friedrich Fasch

Johann Friedrich Fasch (15 April 1688 – 5 December 1758) was a German violinist and composer. Much of his music is in the Baroque-Classical transitional style known as galant.

Overture (Bruckner)

which sheet No. 7 (bars 188-212) is missing, is stored in the archive of the Kremsmünster Abbey. A copy of the complete score of the Overture was given by Bruckner to his friend Cyrill Hynais, together with that of the Four Orchestral Pieces and the Symphony in F minor. These scores are stored in the archive of the Stadt- und Landesbibliothek of Vienna. The work was first published by Alfred Orel in Unbekannte Frühwerke Anton Bruckners, 1921. The Overture was first performed by Franz Moißl on 8 September 1921 in Klosterneuburg. The Overture in G minor (Ouvertüre g-Moll), as well as its 1862 coda, are edited in Band XII/5 of the current Bruckner's Gesamtausgabe.

Cipriani Potter

Overture in E minor (1815, revised 1848) ; Symphony [No. 1] in G minor (1819, revised 1824–26 & 1833) [styled No. 1 by the composer] ; Symphony [No. 2] in B major (1821, revised 1839) [unnumbered by the composer] ; Symphony [No. 3] in C minor (1826) [styled No. 6 by the composer] ; Symphony [No. 4] in F major (1826) [styled No. 7 by the composer] ; Symphony [No. 5] in E major (1828, revised 1846 with replacement slow movement) [styled No. 8 by the composer] ; Symphony [No. 6] in G minor (1832) [styled both No. 10 and No. 2 in G minor by the composer] ; Symphony [No. 7] in D major (1833) [styled No. 2 in D major by the composer] ; Symphony [No. 8] in C minor (1834) [unnumbered by the composer] ; Symphony [No. 9] in D major (1834) [styled No. 4 in

Luigi Cherubini

Overture in G (1815) ; Symphony in D major (1815) ; Marche funèbre (1820)

August Klughardt

in E "Im Frühling" (In Spring), Op. 30 and the Fest-Overture in E flat, Op. 78. Between 1975 and 1980 another label, Sterling, recorded the Concert Overture in G major, Op. 45, the Konzertstück for Oboe and Orchestra in F, Op. 18, the Cello Concerto in A minor, Op. 59 and the Suite for Orchestra, "Auf der Wanderschaft" (A Walk in the Countryside), Op. 67, an orchestration by the composer of an earlier piano suite that he composed after he and his wife holidayed in the Harz mountains; they are performed by Rolf-Julius Koch (oboe), Horst Beckedorf (cello) and the NDR Radiophilarmonie with three different conductors.

Jose Gonzalez Granero

In 2003, José composed an Overture titled Overture for a Celebration with a level of Difficulty 4. His Composition won the second prize at the city of Comines-Warneton in Belgium and his Original Work has been published in Italy by  Scomegna Edizioni Musicali .

Konrad Wölki

Overture No. 1 (A major) ; Overture No. 2 (F-sharp minor) ; Overture No. 3 (D major) ; Overture No. 4 (B minor) for plucked orchestra and woodwinds ; Overture No. 5 (C major) ; Overture No. 6 (G major) ; Suite No. 1 for Zupforchester, Op. 29 (1935) ; Suite No. 2, Op. 31 (1937) ("Music for simple celebration hours") ; Small suite in G major ; Concerto for violin, 2 flutes and Zupforchester, Op. 57 (1954, new version 1966) ; Rondo scherzoso ; Three old-fashioned dances ; Vienna concert

Giovanni Sgambati

Cola di Rienzo Overture (1866) ; Piano Concerto in G minor, Op. 15 (1878–1880) ; Symphony No. 1 in D major, Op. 16 (1880–1881) ; Symphony No. 2 in E-flat major (1883–1885)

Idomeneo

The overture, in D major and common time, is in a modified sonata form in which the development is but a very short transition section connecting the exposition with the recapitulation. Other conventional hallmarks of the sonata form are apparent: the exposition modulates from the tonic (D major) to the dominant (A major), while the recapitulation is centred on the tonic. The overture concludes with a coda ending in D major chords. These chords, soft and tentative, turn out not to be a resolution of the overture in the tonic but chords in the dominant of G minor, which is the home key of the scene that immediately follows.

List of compositions by Henry Purcell

D minor (1687) ; ZT 690, Overture in C minor (Unknown) ; ZT 691, Overture in D major (Unknown) ; ZT 692, Overture in D major (Unknown) ; ZT 693/1, Overture in G minor (Unknown) ; ZT 693/2, Air in G minor (Unknown) ; ZT 694, Song Tune in C major (1687) ; ZT 695, Song Tune in C major (1687) ; ZT 696/1, Air in D minor (Unknown) – [2nd version of ZT 675] ; ZT 696/2, Air in D minor (Unknown) ; ZT 697, Trumpet Tune in C major (1696) ; ZT 698, Trumpet Tune in C major (1696)  Note: All the following are keyboard works

List of compositions by Franz Schubert by genre

D 592, Overture in D major for piano duet, in the Italian Style (1817, version for piano duet of D 590) ; D 597, Overture in C major for piano duet, in the Italian Style (1817, version for piano duet of D 591) ; D 668, Overture in G minor for piano duet (1819) ; D 675, Overture in F major for piano duet (1819?, first published as Op. 34) ; D 773, Overture to the Opera Alfonso und Estrella for piano duet (1823, version for piano duet of the Overture from D 732; first published as Op. 69) ; D 798, Overture to the Opera Fierabras for piano duet (1823, version for piano duet of the Overture from D 796; NSA also appends a version by Carl Czerny)

Overture (Bruckner)

The orchestral setting is the same as that of the earlier March in D minor, except that the second flute is replaced by a piccolo. The first (1862) version of the Overture in G minor, which is 301-bar long, had a different coda on bars 233–288. This was replaced—and approved by Kitzler—with a new coda in the final version of 1863. The final version is 8 bars shorter (293 bars). The "coda of the coda" (bars 289–301 of the 1862 version / bars 281–293 of the 1863 version) is the same in both versions. After an introduction in Adagio (bars 1-22), the work in Allegro non troppo is further in sonata form, with the use in its development of theme inversion. In contrast with the earlier Four Orchestral Pieces and the next Symphony in F minor, the Overture appears a much more mature work. Bruckner's characteristics are already present: the opening subject with his octave leap in unison, the full orchestral chords followed by semiquaver runs, and the second slower (Un poco meno mosso) subject with its large interval leaps.

Overture Respighiana

Overture Respighiana (Overtura Respighiana) was composed by Salvatore Di Vittorio in 2008, as an homage to Ottorino Respighi. The work was written one year before Di Vittorio's completion of Respighi's rediscovered first Violin Concerto in A Major.

List of compositions by Felix Mendelssohn

Op. Posth. 101, Trumpet Overture, Overture in C major for orchestra (1826) (MWV P 2) ; Op. Posth. 102, (6) Songs Without Words for piano, Book VIII (1842/45) ; No. 1 Andante un poco agitato in E minor (MWV U 162) ; No. 2 Adagio in D major (MWV U 192) ; No. 3 Presto in C major ("Tarantelle") ("Kinderstuck") (MWV U 195) ; No. 4 Un poco agitato, ma andante in G minor ("The Sighing Wind") (MWV U 152) ; No. 5 Allegro vivace in A major ("The Joyous Peasant") ("Kinderstuck") (MWV U 194) ; No. 6 Andante in C major ("Belief") (MWV U 172) ; Op. Posth. 103, Trauermarsch [Funeral March] in A minor for military orchestra

Symphony in G minor (Moeran)

Allegro ; Lento ; Vivace ; Lento – Allegro molto The Symphony in G minor was the only completed symphony written by Ernest John Moeran. He wrote it in 1934–37. It is in four movements. In 1926, the conductor of the Hallé Orchestra, Sir Hamilton Harty, commissioned a symphony from Moeran. He had already been working on a symphony since 1924, and the premiere performance of the new work was announced for 4 March 1926. However, when it was almost finished, he decided he was not satisfied with its structure and withdrew it. Over the next eight years he worked on his revision of the piece, but in 1934 he abandoned his sketches

Prince Igor

settled the matter as follows between us: He was to fill in all the gaps in Act III and write down from memory the Overture played so often by the composer, while I was to orchestrate, finish composing, and systematize all the rest that had been left unfinished and unorchestrated by Borodin." - Nikolai Rimsky-Korsakov, Chronicle of My Musical Life, 1909 The often-repeated account that Glazunov reconstructed and orchestrated the overture from memory after hearing the composer play it at the piano is true only in part. The following statement by Glazunov himself clarifies the matter: "The overture was composed by me


Question: Who was the composer of Chasing?

George S. Chase

George Salisbury Chase (1909–1972) was an American composer for film and library music. He was born in Brooklyn, New York on October 23, 1909, to George S. and Florence E. (Reynolds) Chase. In 1957, Chase was hired by R.T.F. Music Publishing Corp., a subsidiary of Thomas J. Valentino, Inc., to write background and production film music, and remained working there until his death. Chase composed under the pseudonym of Michael Reynolds for the firm's Major Record library. He was also known under the pseudonym "Franz Mahl". Some of his compositions were used in episodes of the 1955–1956 seasons of Adventures of Superman. Four of them, "Dark of the Moon," "Mystic Night," "Hypertension," and "Vigil," were also tracked into Edward D. Wood Jr.'s "Plan 9 from Outer Space" (1956). He is also credited with composing the music for the 1952–4 television show Mr. and Mrs. North. Chase was a composer of liturgical music as well; the 1940 U.S. Census records his occupation as "musician, church." He was an active member of Brooklyn Council of the Knights of Columbus. Chase died on August 1, 1972, in Huntingdon, New York.

Chasing (2021 film)

Chasing is a 2021 Indian Tamil language action crime film written and directed by Veerakumar on his directorial debut. The film features Varalaxmi Sarathkumar in the lead role. The film had a theatrical release on 16 April 2021. It was released to negative reviews.

Chasing (song)

"Chasing" is a song written by Irish singer-songwriter Gemma Hayes and is the first single release from her fifth studio album Bones+Longing.

Bruce Chase

Craig Safan

loved the freedom to put together all my talents, from the dramatic writing of theater, to the melodic and rhythmic world of songs, to the esoteric world of contemporary classical music. It just suddenly all came together at that moment.” One assignment led to another. Writing the title music for California Reich, a 1975 documentary for Walter Parkes, led him to score a low-budget exploitation film called The Great Texas Dynamite Chase (1976), which began his long relationship with Michael Pressman, for whom he would score five more pictures through the 1990s. Meanwhile, he started studying film music and sought out the wisdom of Fred

Chasing Cars

Chasing Cars

"Chasing Cars" is a song by Northern Irish-Scottish alternative rock band Snow Patrol. It was released as the second single from their fourth studio album, "Eyes Open" (2006). It was released on 6 June 2006, in the United States and 24 July 2006, in the United Kingdom. The song gained significant popularity in the US after being featured in the second season finale of the medical drama "Grey's Anatomy", which aired on 15 May 2006.

"Chasing Cars" was one of the songs that revealed the impact of legal downloads on single sales in the UK, selling consistently for years after its release. The song is Snow Patrol's biggest-selling single to date, ending 2006 as that year's 14th best-selling single in the UK.

At the 49th Annual Grammy Awards in 2007, "Chasing Cars" was nominated for Best Rock Song, and at the 2007 Brit Awards it was nominated for Best British Single. As of 2019, the song has spent 111 weeks in the official UK top 75, 166 in the top 100 and had sold over one million copies in the UK by October 2013. It has also sold 3,900,000 copies in the US by January 2015, making it one of the top best-selling rock songs in the digital era.

Bruce Chase

Bruce Chase

Robert Bruce Chase (March 22, 1912 – June 29, 2001) was an American composer and music arranger.

Chasing Pavements

Chasing Pavements

"Chasing Pavements" is a song recorded by English singer-songwriter Adele for her debut studio album, "19" (2008). Written by Adele with its producer Eg White, the song was released as the second single from the album on 14 January 2008. Its lyrics describe a woman's quest of finding happiness by trial and error and sheer determination, one of her happiest songs. Adele was inspired to write the song after discovering her boyfriend's infidelity, and the subsequent altercation with him in a pub.

"Chasing Pavements" received critical acclaim, with reviewers praising its lyrics, production and Adele's vocal performance, with many citing it amongst the singer's best songs. Commercially, the song proved to be her record charts debut worldwide. It topped the charts in Norway, and reached the top 10 in eight countries, including the UK, where it debuted at its peak of number two on the UK Singles Chart and is certified double Platinum by the British Phonographic Industry (BPI). The accompanying music video was directed by Mathew Cullen of the production company Motion Theory. At the 51st Annual Grammy Awards, "Chasing Pavements", received three nominations, winning Best Female Pop Vocal Performance, and being nominated for Record of the Year, and Song of the Year.

Chasing Amy

Chasing Amy

Chasing Amy is a 1997 American romantic comedy-drama film written and directed by Kevin Smith and starring Ben Affleck, Joey Lauren Adams, and Jason Lee. The film is about a male comic artist (Affleck) who falls in love with a lesbian woman (Adams), to the displeasure of his best friend (Lee). It is the third film in Smith's View Askewniverse series.

The film was originally inspired by a brief scene from an early film by a friend of Smith's. In Guinevere Turner's "Go Fish", one of the lesbian characters imagines her friends passing judgment on her for "selling out" by sleeping with a man. Smith was dating Adams at the time he was writing the script, which was also partly inspired by her.

The film received mostly positive reviews, praising the humor, performances and Kevin Smith's direction. The film won two awards at the 1998 Independent Spirit Awards (Best Screenplay for Smith and Best Supporting Actor for Lee). Characters from the film would go on to appear in later Askewniverse films "Jay and Silent Bob Strike Back" (2001) and "Jay and Silent Bob Reboot" (2019), direct spin-offs of "Chasing Amy", with Affleck, Lee, Adams and Ewell reprising their roles in cameo appearances; Smith described the characters' roles in "Jay and Silent Bob Reboot" as being an "eight-page sequel" to "Chasing Amy".

I'm Always Chasing Rainbows

I'm Always Chasing Rainbows

"I'm Always Chasing Rainbows" is a popular Vaudeville song. The music is credited to Harry Carroll, but the melody is adapted from "Fantaisie-Impromptu" by Frédéric Chopin. The lyrics were written by Joseph McCarthy, and the song was published in 1917. It was introduced in the Broadway show "Oh, Look!" which opened in March 1918. The song was sung in the show by the Dolly Sisters.<ref name="Gardner" /> Judy Garland sang it in the 1941 film "Ziegfeld Girl". It was subsequently sung by Jack Oakie in the 1944 film "The Merry Monahans" and was again featured in the 1945 film "The Dolly Sisters" (1945 in film), where it was sung by John Payne.<ref name="Gardner" /> It was also included for part of the run (and in the cast album) of the 1973 revival of "Irene".

The song is a true popular standard, recorded by many artists over the years.

Nicholas Frances Chase

Nicholas Frances Chase (born Nebeil Mahayni; 1966 in Roseburg, Oregon) is an American composer and performer. Chase received a Bachelor of Arts in German Area Studies from University of Oregon in 1993 and studied music composition at the California Institute of the Arts (CalArts) with Stephen Mosko, Morton Subotnick, Bunita Marcus, and Mary Jane Leach, receiving his Master of Fine Arts in 2000. At CalArts he studied Hindustani Classical Music with Rajeev Taranath and Arabic Classical Music with Dr. Ziad Bunni. His compositional style references popular music forms such as techno, electronica, ambient, and noise music, and frequently integrates interactive signal processing and electronic sound material with acoustic instrumentation. He has written original music for various ensembles including the California EAR Unit, the Long Beach Opera, and the Philadelphia Classical Symphony.

Chasing (song)

No music video has been made for this single.

La Jolla Playhouse production history

Chasing the Song, book by Joe DiPietro, music by David Bryan, lyrics by Joe DiPietro and David Bryan ; The Orphan of Zhao, adapted by James Fenton ; Ether Dome by Elizabeth Egloff ; Kingdom City by Sheri Wilner ; The Hunchback of Notre Dame (musical), novel by Victor Hugo, music by Alan Menken, lyrics by Stephen Schwartz

Andy Chase

he signed to his label, such as the Postmarks and Ukrainian singer Lana Mir. In 2009, he produced and performed on Juliana Hatfield's album How to Walk Away. He has also produced albums for the Smashing Pumpkins, Tahiti 80, the Trash Can Sinatras, and Fountains of Wayne. He owned Stratosphere Sound recording studios with Adam Schelsinger and James Iha. Films and television shows that feature Chase's songs include There's Something About Mary, Me Myself & Irene, Shallow Hal, Orange County, Insomnia, Stuck on You, Fever Pitch, Bee Season, and Music and Lyrics. He has composed original music for film and TV, and voice acted for the video game Kya: Dark Lineage.

Chasing (2016 film)

Chasing (lit. "Catch Him to Survive") is a 2016 South Korean action-comedy film about a top CEO (played by Kim Seung-woo) who has his cellphone stolen by a fearless gang of male high-school students led by the rebellious Han Won-tae (played by Hyuk of VIXX, in his film debut) and homicide detective (played by Kim Jung-tae) who loses his gun to the same gang of high-school students. Both the gun and the cellphone are very valuable to the CEO and detective and begins a fast-paced pursuit in order to retrieve their items back from the gang. The film was directed by Oh In-chun (the director of Mourning Grave) and released in theaters on January 7, 2016.

Joshua Ravetch

Ravetch's award-winning play, Chasing Mem'ries: A Different Kind of Musical received the Edgerton New Play Award and was nominated for the Ovation. The play starred Tyne Daly and Robert Forster and world premiered at The Geffen Playhouse in 2017. Ravetch collaborated with legendary lyricists Alan and Marilyn Bergman with music by Marvin Hamlisch, Michel Legrand and Johnny Mandel. During the workshop of the production, Norman Lear said, "If there were a Tony for a yet-to-be-fully-produced-play, Chasing Mem'ries would get my vote. This is a touching, luscious, triumphant piece of theatre." They are collaborating for the second time on the second musical in the

Chasing the Deer

The film soundtrack includes music by the Scottish celtic rock group Runrig and the ex-Marillion singer-songwriter Fish, and features the song "Battle Lines" by the English rock musician John Wetton.

Chasing (song)

The song was revealed as the first single release in September 2014. It was released to fans for free who supported her Pledge Music campaign on 9 October 2014 and became available in the iTunes Store in Ireland, UK, US & Canada as part of the albums pre-orders. On 9 October 2014 the full version of the single appeared on Beat's website. On 14 November 2014 a remixed version of the song was revealed through Clash Magazine. The single was made available on 9 October 2014 in Ireland and it will be released worldwide on 15 December 2014.

Lincoln Chase

Lincoln R. Chase (June 29, 1926 – October 6, 1980) was an American songwriter and occasional recording artist. As a writer, his most notable songs were "Such a Night", "Jim Dandy", and several of Shirley Ellis' hits in the early 1960s including "The Name Game" and "The Clapping Song".

Chase H.Q.

at the Arcade Operator's Union trade show in Tokyo. The game was released as Chase H.Q. 2 later in the year. Saint Etienne recorded a demo dance track called "Chase HQ" that was inspired by Chase H.Q. It includes samples of the "Oh man!" and "Punch the pedal!" exclamations from the game action. The track was released as a bonus track on the 2009 Deluxe reissue of the band's 1991 album, Foxbase Alpha. Chase HQs gameplay, which involved ramming the enemy car while avoiding oncoming traffic, has been cited as a precursor to the gameplay of later titles such as Driver and Burnout.

Chasing Coral

Saul Simon MacWilliams and Dan Romer composed the score for the film. Romer also co-wrote an original song, "Tell Me How Long", featuring Kristen Bell.

Michael Hunter (composer)

Michael Hunter is a Scottish composer and musician from Glasgow, Scotland, who composed the theme songs for both Grand Theft Auto: San Andreas and Grand Theft Auto IV. He has also released music under the aliases of Pablo and Butch Cassidy Sound System. On 22 August 2011, he released his debut album, State of Flux. The second album, Circuit Brain, was released on 29 August 2018.

Chasing Yesterday (books)

Chasing Yesterday is a series of books written by Robin Wasserman. The series follows a girl after she wakes up in the middle of rubble, with no memory of her past. The series includes Awakening, Betrayal, and Truth.

Chasing Stars

Alesso – producer, composer, lyricist, ; Marshmello – producer, composer, lyricist, associated performer, programming ; The Monsters & Strangerz – producer, composer, lyricist, associated performer, vocal producer ; Alexander Izquierdo – composer, lyricist ; James Bay – composer, lyricist, associated performer, featured artist, vocalist ; Jonathan Bellion – composer, lyricist ; Michael Pollack – composer, lyricist ; Jeremie Inhaber – assistant mixer, studio personnal ; Michelle Mancini – mastering engineer, studio personnal ; Chris Galland – mix engineer, studio personnal ; Manny Marroquin – mixer, studio personnal ; Henri Davies – recording engineer, studio personnal Credits adapted from Tidal.

Chase (instrumental)

Created especially for the film Midnight Express, Alan Parker, the director of the film, explicitly asked Moroder for a song in the style of "I Feel Love", which Moroder composed for Donna Summer. It was Moroder's second time composing a movie soundtrack after his work on 1972's German softcore sex film "Sex Life in a Convent". The song's main melody was played on a Roland SH-2000 synthesizer, while the bass lines were played on a Minimoog synthesizer. The track also has a flanging effect produced by the MXR Flanger, while other instruments used include an ARP/Solina String Ensemble, Fender Rhodes, Hohner Clavinet, and piano. Although a disco piece, "Chase", along with "I Feel Love", is more specifically considered the pioneering introduction of the hi-NRG genre, which came to prominence in the early 1980s. The music was arranged by Harold Faltermeyer under the leadership of Giorgio Moroder.


Question: Who was the composer of String Quartet No. 3?

String Quartet No. 3 (Husa)

String Quartet No. 3 (Rochberg)

String Quartet No. 3 (Carter)

The Third String Quartet by American composer Elliott Carter was completed in 1971. It is dedicated to the Juilliard String Quartet, and it was premiered in 1973. This quartet earned Carter his second Pulitzer Prize in Music in 1973.

String Quartet No. 3 (Piston)

String Quartet No. 3 by Walter Piston is a chamber-music work composed in 1947.

String Quartet No. 3 (Bacewicz)

String Quartet No. 3 is a 1947 composition by Polish composer Grażyna Bacewicz. The composition won the Polish Ministry of Culture Award in 1955.

String Quartet No. 3 (Rochberg)

String Quartet No. 3 (Rochberg)

George Rochberg's String Quartet No. 3 is an important piece in American contemporary music literature. Written in 1971 and premiered on May 15, 1972, by the Concord String Quartet, the third string quartet was an important move away from serialism for the American composer.

String Quartet No. 3 (Husa)

String Quartet No. 3 (Husa)

The String Quartet No. 3 is a composition for string quartet by the composer Karel Husa. It was first performed on October 14, 1968, at the Goodman Theatre, Chicago, by the Fine Arts Quartet, to whose members the work is dedicated. The piece won the 1969 Pulitzer Prize for Music.

String Quartet No. 3 (Babbitt)

String Quartet No. 3 (Babbitt)

String Quartet No. 3 is the third of six chamber-music works in the string quartet medium by the American composer Milton Babbitt.

String Quartet No. 3 (Britten)

String Quartet No. 3 (Britten)

String Quartet No. 3 in G major, Op. 94, by English composer Benjamin Britten was his last completed major work, and his last completed instrumental work. It was written in OctoberNovember 1975 during his final illness: the first four movements at his home, The Red House, Aldeburgh, and the fifth during his last visit to Venice, at Hotel Danieli. It was dedicated to the musicologist Hans Keller. In December 1975, brothers Colin and David Matthews performed it privately for the composer in a piano duet arrangement. During September 1976, Britten worked on it with the Amadeus Quartet; who premiered it on 19 December 1976 at The Maltings, Snape, two weeks after the composer's death.

String Quartets (Schoenberg)

String Quartets (Schoenberg)

The Austrian composer Arnold Schoenberg published four string quartets, distributed over his lifetime: String Quartet No. 1 in D minor, Op. 7 (1905), String Quartet No. 2 in F minor, Op. 10 (1908), String Quartet No. 3, Op. 30 (1927), and the String Quartet No. 4, Op. 37 (1936).

In addition to these, he wrote several other works for string quartet which were not published. The most notable was his early String Quartet in D major (1897). There was also a Presto in C major (c. 1895), a Scherzo in F major (1897), and later a Four-part Mirror Canon in A major (c. 1933). Finally, several string quartets exist in fragmentary form. These include String Quartet in F major (before 1897), String Quartet in D minor (1904), String Quartet in C major (after 1904), String Quartet Movement (1926), String Quartet (1926), String Quartet in C major (after 1927) and String Quartet No. 5 (1949).

Schoenberg also wrote a Concerto for String Quartet and Orchestra in B major (1933): a recomposition of a work by the Baroque composer George Frideric Handel.

String Quartet No. 3 (Brahms)

The String Quartet No. 3 in B major, Op. 67, was composed by Johannes Brahms in the summer of 1875 and published by the firm of Fritz Simrock. It received its premiere performance on October 30, 1876 in Berlin. It has four movements: 1. Vivace (B-flat major) 2. Andante (F major) 3. Agitato (Allegretto non troppo) — Trio — Coda (D minor) 4. Poco Allegretto con Variazioni (B-flat major) Brahms composed the work in Ziegelhausen, near Heidelberg, and dedicated it to Professor Theodor Wilhelm Engelmann, an amateur cellist who had hosted Brahms on a visit to Utrecht. Brahms was at the time the artistic director of the Vienna Gesellschaft der Musikfreunde. The work is lighthearted and cheerful, "a useless trifle", as he put it, "to avoid facing the serious countenance

String Quartet No. 3 (Revueltas)

String Quartet No. 3 is a chamber-music work written in 1931 by the Mexican composer and violinist Silvestre Revueltas.

String Quartet No. 3 (Husa)

The work won Husa the 1969 Pulitzer Prize for Music. The award brought international attention to Czech-born composer, who favorably recalled, "You have the confidence that what you are doing is somehow rewarded. That's a terrific feeling, of course. It gives you an incredible lift, and keeps you in a mood so that you can compose more."

String Quartet No. 3 (Mendelssohn)

The String Quartet No. 3 in D major, Op. 44, No. 1, was composed by Felix Mendelssohn(1809-1847) in July of 1838 at the age of 29. It premiered in 1839, then was published later in 1840. Quartet No. 3 in D minor a traditional quartet, comprising two violins, a viola, and a cello. The piece is part of the Op. 44 set of 3 string quartets that Mendelssohn dedicated to the Crown Prince of Sweden.

String Quartet No. 3 (Beethoven)

The String Quartet No. 3 in D major, Op. 18, No. 3, was written by Ludwig van Beethoven between 1798 and 1800 and published in 1801, dedicated to Joseph Franz von Lobkowitz. Although it is numbered third, it was the first quartet Beethoven composed.

String Quartet No. 3 (Piston)

Piston’s Third Quartet was commissioned by Harvard University and first performed by the Walden Quartet on May 1, 1947. It is dedicated to Diran Alexanian.

List of string quartet composers

1975): Movimento di quartetto (2004), La rosa que no canto (2006), Di tumulti e d’ombre. Studio per Faust (2011). ; Vivian Fung (born 1975): String Quartet No. 1 (the third movement, Pizzicato, may be performed as a separate work for string quartet; 2004), No. 2 (2009), No. 3 (2013), No. 4 (2019). ; David Philip Hefti (born 1975): Ph(r)asen – String Quartet No. 1 (2007); Guggisberg-Variationen – String Quartet No. 2 (2008); Mobile – String Quartet No. 3 (2011); con fuoco – String Quartet No. 4 (2011); Concubia nocte – Music for the Second Nocturnal Vigil – String Quartet No. 5 (2018). ; Svitlana Azarova (born 1976): Hotel Charlotte (2005), for

String Quartet No. 3 (Babbitt)

String Quartet No. 3 (Villa-Lobos)

String Quartet No. 3 ("Quarteto de pipocas"—"Popcorn" Quartet) is the third of seventeen works in the medium by the Brazilian composer Heitor Villa-Lobos, and was written in 1916. A performance lasts approximately twenty-three minutes.

String Quartet No. 3 (Oswald)

The String Quartet No. 3, Op. 39, by Henrique Oswald was composed in 1908. It is dedicated to Antônio Francisco Braga.

List of string quartet composers

3, op 15 (1919), No 4, op 16 (1923), No 6 (1927), No 5 (1931) ; Florence Price (1887–1953): Two string quartets (1929, 1935) and Five Folksongs in Counterpoint for String Quartet (1951). ; Ernst Toch (1887–1964): Thirteen string quartets, the first five now lost, and a brief Dedication for quartet. ; Fartein Valen (1887–1952): Two string quartets. ; Heitor Villa-Lobos (1887–1959): Seventeen string quartets between 1915 and 1957. ; Matthijs Vermeulen (1888–1967): One string quartet (1960–61). ; Johanna Beyer (1888–1944): At least four (1934, 1936, ?, 1943). ; Hugo Kauder (1888–1972): Nineteen string quartets. ; Ina Boyle (1889–1967): One string quartet (1934). ; Ethel Glenn Hier (1889–1971): Two string quartets.

String Quartet No. 3 (Babbitt)

The Contemporary Composer in the USA. Milton Babbitt: Quartet No. 3; Charles Wuorinen: String Quartet. Fine Arts Quartet (Leonard Sorkin and Abram Loft, violins; Bernard Zaslav, viola; George Sopkin, cello). LP recording, stereo, 12 in. Turnabout TV-S 34515. New York: Vox Productions, Inc., 1972. Reissued on CD, stereo. Music & Arts CD 707. Berkeley, California: Music & Arts, 1991.

String Quartet No. 3 (Revueltas)

Revueltas composed his third string quartet in the same year as his second, 1931, and the Cuarteto Clásico Nacional gave the first performance on 2 September 1931. Although the score was announced in 1958 as being "in preparation for sale", it was only finally published in 1995, fifty-five years after the composer's death and several decades after his other three quartets.

List of string quartet composers

3, Op. 20) ; George Enescu (1881–1955): Two string quartets (No. 1 in E and No. 2 in G, Op. 22 nos. 1 and 2, 1916–1920 and 1951). ; Nikolai Myaskovsky (1881–1950): Thirteen (1907–1949). ; Nikolai Roslavets (1881–1944): Five string quartets (1913, 1915, 1920, 1929–31, 1942, and a minuet (1907); only Nos. 1, 3 & 5, and the minuet, have been published as of 2015. ; Ignatz Waghalter (1881–1949): One string quartet, in D major, Op. 3. ; Karl Weigl (1881–1949): Eight string quartets: No. 1 in C minor (1903 or 1905); No. 2 in E (with viola d'amore) (1906); No. 3 in A major (1909); No. 4 in D minor

String Quartet No. 3 (Tchaikovsky)

The String Quartet No. 3 in E minor, Op. 30, by Pyotr Ilyich Tchaikovsky, was composed in 1876, and is the last of his three String Quartets. It was written as a memorial for Ferdinand Laub. (The date upon the manuscript is early February 1876. ) The quartet was performed for the first time at a party at Nikolai Rubinstein's apartment on March 2, 1876. The first public performance was at a concert on 30 March (new style/March 18 (old style), the performers being: Jan Hřímalý and Adolph Brodsky, violins; Yuly Gerber, viola; and Wilhelm Fitzenhagen, cello. Once, while Tchaikovsky was staying with some friends, they surprised him by bringing in a string quartet who performed this quartet for him. When they finished playing, Tchaikovsky remarked, "At first I didn't much like the Finale, but now I see that it is quite good." Recently, it was featured in the downloadable content Left Behind for the 2013 video game The Last of Us.


Question: Who was the composer of That's Right?

Johnny Cash
The Man in Black
John R. Cash
J. R. Cash

That's Right (album)

That's Right is an album by George Benson, originally released through GRP Records in 1996. That's Right was Benson's first album released on GRP Records after twenty years on Warner Bros. Records and produced by longtime producer, Tommy LiPuma. The cover photograph is by Andy Earl and captures Benson in Burnaby Street, Chelsea, London.

That's Right – You're Wrong

The Honeycombs

a lasting impression in Sweden, where they scored two No. 1 singles. The Honeycombs made many appearances on music television shows such as Top of the Pops, Ready Steady Go! (UK), Shindig! (US), and Beat-Club (Germany). The group also appeared in the 1965 film Pop Gear, miming "Have I the Right?" and "Eyes". In July 1965, British music magazine NME reported that it had been agreed in the London High Court that "Have I The Right?" was the work of Howard and Blaikley. Composer Geoff Goddard agreed to drop allegations that he, not they, had written the song. In August 1965 the group released "That's the Way",

Have I the Right?

In July 1965, the British music magazine NME reported that it had been agreed in the London High Court that "Have I the Right?" was the work of Howard and Blaikley. Composer Geoff Goddard agreed to drop allegations that he, and not they, had written the song. Goddard had been Meek's principal songwriter, but the two had fallen out. He claimed that the song was adapted from his earlier song "Give Me The Chance", but was too shy to testify in court.

Alan Blaikley

In the 1960s and 1970s, in collaboration with Ken Howard, Blaikley composed the music and words for many international top 10 hits, including two UK number ones, "Have I the Right?" (The Honeycombs) and "The Legend of Xanadu" (Dave Dee, Dozy, Beaky, Mick & Tich). Among other performers for whom they have written are Petula Clark, Phil Collins, Sacha Distel, Rolf Harris, Frankie Howerd (the theme song for his film Up Pompeii), Engelbert Humperdinck, Horst Jankowski, Eartha Kitt, Little Eva, Marmalade, The Herd, Lulu and Matthews Southern Comfort. Blaikley and Howard were the first British composers to write for Elvis Presley, including the hit "I've Lost You" (1970), which he later performed in the film That's The Way It Is.

That's All Right

That's All Right

"That's All Right" is a song written and originally performed by blues singer Arthur Crudup and recorded in 1946. The song was rereleased in early March 1949 under the title "That's All Right, Mama", which was issued as RCA's first rhythm and blues record on its new 45 rpm single format.

"That's All Right" is best known as the debut single recorded and released by Elvis Presley. Presley's version was recorded on July 5, 1954, and released on July 19, 1954, with "Blue Moon of Kentucky" as the B-side. It was ranked number 113 on the 2010 "Rolling Stone" magazine list of the "500 Greatest Songs of All Time".

Several rock critics also have pointed to Presley's version as a candidate for the first rock and roll record.

In July 2004, exactly 50 years after its first issuing, the song was released as a CD single in several countries, reaching number three in the United Kingdom, number 31 in Australia, number 33 in Ireland, and number 47 in Sweden.

Get Up and Boogie (song)

Get Up and Boogie (song)

"Get Up and Boogie" is a song by German disco act Silver Convention from their 1976 second album of the same name. The song was written and composed by Sylvester Levay and Stephan Prager, and produced by Prager. The song was released as the lead single from the album "Get Up and Boogie" (also titled "Silver Convention" in some countries) in 1976.

That's Right (You're Not from Texas)

That's Right (You're Not from Texas)

"That's Right (You're Not from Texas)" is a song written by Lyle Lovett, Willis Alan Ramsey and Alison Rogers and recorded by Lovett for his 1996 studio album "The Road to Ensenada". It was released as the album's fourth single on February 24, 1997.

Due to its use in a series of advertisements promoting Texas tourism, the phrase has also come to be used independently to describe the quirky and sometimes misunderstood attitudes associated with Texas.

That's Right – You're Wrong

That's Right – You're Wrong

That's Right – You're Wrong is a 1939 American musical film directed by David Butler and released by RKO Radio Pictures. The film stars Kay Kyser and his band, with a cast that included Adolphe Menjou, Lucille Ball, Edward Everett Horton, Roscoe Karns, and Ginny Simms (as herself). It was the first film to feature Kyser and his band, and its success led to their headlining several more pictures over the next five years. The title was a Kyser catchphrase, used on his radio show when a contestant correctly gave a wrong answer to a "right or wrong" question.

I'm Gonna Wash That Man Right Outa My Hair

"I'm Gonna Wash That Man Right Outa My Hair" is a song from the musical "South Pacific", sung by Nellie Forbush, the female lead, originally played by Mary Martin in the 1949 Broadway production. Her character, fed up with a man (Emile De Becque) and singing energetically in the shower, claims that she will forget about him. The song was written by Rodgers and Hammerstein in response to Martin's request. She had starred on Broadway for years and Martin suggested that she wash her hair on stage during the performance.

Who Dares Wins (film)

The score was composed by Roy Budd, while the song Right on Time, which is heard during the church scene was written by Jerry and Marc Donahue.

Codename: Rondo

The New York Times praised "That's Right," writing that "it’s both a classic pop singalong and, perhaps more innovatively, a stab at giving the blues a futuristic face lift."

Walt Levinsky

well-known production company specializing in TV music. Levinsky is credited on a 1976 album of music cues for The Price is Right, which includes much of the show's music that is still heard today such as the showcase showdown and various car cues. One of those cues, a Nashville Brass-style country music piece, became the theme to Family Feud; the 1988 version of this theme is still used today. The 1990s brought further success with a busy concert and touring schedule as bandleader and clarinet soloist with his Great American Swing Band. Levinsky died in Sarasota, Florida, aged 70, from a brain tumour.

Alan Blaikley

Alan Blaikley (born 23 March 1940) is an English songwriter and composer. He is best known for writing a series of international hits in the 1960s and 1970s in collaboration with Ken Howard, including the UK number ones "Have I the Right?" and "The Legend of Xanadu". Together with Howard, he has also written two West End musicals and a number of TV themes, including the theme music for the BBC's long-running series of Agatha Christie's Miss Marple.

That's Me Right There (EP)

On October 30, 2014, it was confirmed by Villegas via Twitter that the title of the EP would be That's Me Right There with a release date set for November 10. Its cover artwork and track listing were revealed the same day.

That's Entertainment! (album)

That's Entertainment! is a 1960 album by the American vocalist Judy Garland arranged by Jack Marshall and Conrad Salinger. Garland turned to her former MGM arranger Conrad Salinger for four full orchestra-backed songs, including the title track, “I’ve Confessed to the Breeze” from No, No, Nanette  and ”Alone Together” which was selected for The Band Wagon   but not ultimately used in the film.

That's Right (Three 6 Mafia song)

That's Right is the final single released by Three 6 Mafia from their July 19, 2008 studio album Last 2 Walk. It features Akon, and in the music video version, Jim Jones.

Nathan Wang

One Six Right (2005) (orchestrator) ; Sabrina: The Animated Series (composer: additional music) (22 episodes, 1999) ; ... a.k.a. "Sabrina" (USA: short title) ; "Anywhere But Here" (1999) TV episode (composer: additional music) ; Boogie Shoes (1999) TV episode (composer: additional music) ; Boy Meets Bike (1999) TV episode (composer: additional music) ; Extreme Harvey (1999) TV episode (composer: additional music) ; Feats of Clay (1999) TV episode (composer: additional music) ; The Last Days (1998) (associate composer) (orchestrator) ; Flesh Gordon Meets the Cosmic Cheerleaders (1989) (composer: additional music) ; ... a.k.a. Flesh Gordon 2 ; Soundtrack: ; Wo shi shei (1998) (writer: "Friendship") ; ... a.k.a. Jackie Chan's Who Am I? (USA: cable TV title) ; ... a.k.a. Who Am I? ; Hung fan au (1995) (writer: "You Are The One") ; ... a.k.a. Rumble in the Bronx (Hong Kong: English title) (USA) ; ... a.k.a. Hong fan ou (Hong Kong: Mandarin title) ; ... a.k.a. Red Bronx ; ... a.k.a. Zizanie dans le Bronx (Canada: French title) ; Actor: ; Who's Your Daddy? (2003/I) (V) .... The Arnold Horshack Experience 2000s 1990s 1980s

Sammy Fain

Everybody's Welcome (1931) - musical - composer ; Right This Way (1938) - musical - featured songwriter for "I'll Be Seeing You" ; Hellzapoppin' (1938) - revue - co-composer and co-lyricist ; George White's Scandals of 1939 (1939) - revue - composer ; Boys and Girls Together (1940) - revue - composer ; Sons o' Fun (1941) - revue - co-composer and co-lyricist ; Toplitzky of Notre Dame (1946) - musical - composer ; Alive and Kicking (1950) - revue - co-composer ; Flahooley (1951) - musical - composer ; Ankles Aweigh (1955) - musical - composer ; Catch a Star (1955) - revue - co-composer ; Ziegfeld Follies of 1957 (1957) - revue - featured songwriter for "An Element of Doubt" ; Christine (1960) - musical - composer ; Something More! (1964) - musical - composer ; Rock 'N Roll! The First 5,000 Years (1982) - revue - featured songwriter for "Love Is a Many-Splendored Thing" ; Swing! (1999) - revue - featured songwriter for "I'll Be Seeing You" ; Calamity Jane (2018) - musical - composer (first full staging in the NYC area)

Honeyburst

The song "Right Next To the Right One" was used as the title song for the Emmy Award winning DR1 drama series Nikolaj og Julie that was aired in 2002-2003. It became a national hit in 2002, a year ahead of Honeyburst's release. Christensen explains the match was made quickly: "The producer of the show called me, he said they liked what I was doing and wanted to know if I had a song they could use. At the time we had made demos one of which was "Right Next To the Right One". He told me what the series were about, and I said, 'I believe I

That's Right (Carl Perkins song)

"That's Right" is a 1957 rock and roll song written by Carl Perkins and Johnny Cash. The song was released as a single on Sun Records by Carl Perkins in August, 1957. "That's Right" was released as Sun 274, Matrix #U-259, backed with "Forever Yours", Matrix #U-258. The song was recorded at Sun Records studios at 706 Union Avenue in Memphis, Tennessee. "That's Right" was published by Hi-Lo Music while "Forever Yours" was published by Knox Music. The personnel on the session were Carl Perkins, vocals and guitar, Jay Perkins, guitar, Clayton Perkins, bass, and W.S. "Fluke" Holland on drums. Both sides failed to chart.

Milton Scott Michel

Charles Strouse's "Sixth Finger Theme", originally written for the play Sixth Finger In A Five Finger Glove, was used as the original theme music for The Price Is Right from 1956-1961.

Edd Kalehoff

Edward Woodley Kalehoff Jr. (born September 1, 1945) is an American television composer who specializes in compositions for television, known for his work on the Moog synthesizer. Kalehoff composed the musical themes to the game shows The Price Is Right and Double Dare, as well as for ABC World News Tonight and Monday Night Football.

Jerome Brailey

"Right Move" (Avco Records 1975)

Right (song)

"Right" is a song by English musician David Bowie from his album Young Americans, released on 7 March 1975. Recorded on 14–18 August and 20–24 November 1974 at Sigma Sound in Philadelphia, "Right" is the last of four tracks on side one of Young Americans, and the B-side of the single "Fame", released in August 1975.


Question: Who was the composer of Symphony No. 33?

Symphony No. 33 (Haydn)

The Symphony No. 33 in C major (Hoboken I/33) is a festive symphony by Joseph Haydn. The precise date of composition is unknown. Haydn scholar H.C. Robbins Landon has dated this work to 1763–65. It has also been suggested that it was written in 1760 or 1761, along with Symphony no. 32.

Symphony No. 33 (Mozart)

Symphony No. 27 (Haydn)

In 1946, a copy of the symphony was discovered in the summer palace of Baron Samuel von Brukenthal near the city of Hermannstadt (now Sibiu in Romania). Originally thought to be an original discovery, the symphony briefly acquired the nickname Hermannstädter after it was recorded under that title by the Prague Symphony Orchestra with the Rumanian conductor Constantin Silvestri. Because of the political climate in Eastern Europe following the Second World War, it was some time before musicologists were able to examine the find and realize that the manuscript was a copy of a work that had already been published by Breitkopf & Hartel in 1907.

List of symphony composers

Le Flem (1881–1984), French composer of 4 symphonies ; Nikolai Myaskovsky (1881–1950), Russian composer of 27 symphonies, as well as 3 sinfoniette for strings. ; Nikolai Roslavets (1881–1944), Russian composer of 1 symphony and 1 chamber symphony ; Karl Weigl (1881–1949), Austrian composer of 6 symphonies ; Marion Bauer (1882–1955), American composer of 1 symphony ; Walter Braunfels (1882–1954), German composer of 1 symphony (Sinfonia brevis op. 69) plus a Sinfonia concertante for violin, viola, 2 horns and strings ; Alf Hurum (1882–1972), Norwegian composer of a Symphony in D minor (1927) ; Zoltán Kodály (1882–1967), Hungarian composer of

Symphony No. 4 (Nielsen)

Symphony No. 4, Op. 29, FS 76, also known as "The Inextinguishable" (Det Uudslukkelige), was completed by Danish composer Carl Nielsen in 1916. Composed against the backdrop of the First World War, this symphony is among the most dramatic that Nielsen wrote, featuring a "battle" between two sets of timpani.

Symphony No. 33 (Mozart)

Symphony No. 33 (Mozart)

The Symphony No. 33 in B major, K. 319, was written by Wolfgang Amadeus Mozart, and dated on 9 July 1779.

4′33″

4′33″

4′33″ (pronounced "four minutes, thirty-three seconds" or just "four thirty-three") is a three-movement composition by American experimental composer John Cage. It was composed in 1952, for any instrument or combination of instruments, and the score instructs performers not to play their instruments during the entire duration of the piece throughout the three movements. The piece consists of the sounds of the environment that the listeners hear while it is performed, although it is commonly perceived as "four minutes thirty-three seconds of silence". The title of the piece refers to the total length in minutes and seconds of a given performance, "4′33″" being the total length of the first public performance.

Conceived around 1947–48, while the composer was working on "Sonatas and Interludes", It was also a reflection of the influence of Zen Buddhism, which Cage had studied since the late 1940s. In a 1982 interview, and on numerous other occasions, Cage stated that "4′33″" was, in his opinion, his most important work. "The New Grove Dictionary of Music and Musicians" describes "4′33″" as Cage's "most famous and controversial creation".<ref name="grove"/>

Symphony No. 1 (Mozart)

Symphony No. 1 (Mozart)

The Symphony No. 1 in E major, K. 16, is a symphony written in 1764 by Wolfgang Amadeus Mozart at the age of eight years. By this time, he was already notable in Europe as a "wunderkind" performer, but had composed little music.

The autograph score (handwritten original) of the symphony is today preserved in the Biblioteka Jagiellońska in Kraków.<ref name="B" />

Symphony No. 41 (Mozart)

Symphony No. 41 (Mozart)

Wolfgang Amadeus Mozart completed his Symphony No. 41 in C major, K. 551, on 10 August 1788. The longest and last symphony that he composed, it is regarded by many critics as among the greatest symphonies in classical music. The work is nicknamed the "Jupiter" Symphony, probably coined by the impresario Johann Peter Salomon.

List of symphonies in C major

List of symphonies in C major

This is a list of symphonies in C major written by notable composers.

Symphony No. 30 (Haydn)

The Symphony No. 30 in C major, Hoboken I/30, is a symphony by Joseph Haydn composed in 1765, at the age of 33. It is nicknamed the Alleluia Symphony because of Haydn's use of a Gregorian Alleluia chant in the opening movement.

List of symphony composers

(1883–1964), English composer of 1 symphony, plus a Choral Symphony, composed in 1910 but not premiered until 2014. ; Joseph Matthias Hauer (1883–1959), Austrian composer of 1 symphony and 1 sinfonietta ; Manolis Kalomiris (1883–1962), Greek composer of 3 symphonies (No. 1, Leventia, for mixed chorus and orchestra, 1920, r. 1937, 1952; No. 2, Symphony of the Simple and Good People, for mezzo-soprano, mixed chorus, and orchestra, 1931; and No. 3, Palamiki, D minor, for reciter and orchestra, 1955) ; Paul von Klenau (1883–1946), Danish composer of 9 symphonies ; Alexander Krein (1883–1951), Russian composer of 1 symphony ;

List of symphony composers

Natra (born 1924), Romanian–Israeli composer of 3 symphonies and 1 symphony for strings ; Serge Nigg (1924–2008), French composer of 1 symphony (Jérôme Bosch, 1960) ; Mikhaïl Nosyrev (1924–1981), Russian composer of 4 symphonies ; Else Marie Pade (1924–2016), Danish composer of 2 symphonies ; Joly Braga Santos (1924–1988), Portuguese composer of 6 symphonies ; Ernest Tomlinson (1924–2015), English composer of 2 symphonies ; Yasushi Akutagawa (1925–1989), Japanese composer of 1 numbered symphony (1954), plus a Symphony "Twin Stars", for children (1957) and the Ellora Symphony (1958) ; Jurriaan Andriessen (1925–1996), Dutch composer of 8 numbered symphonies, plus a

List of symphony composers

sinfoniettas ; Vincent Persichetti (1915–1987), American composer of 9 symphonies ; Humphrey Searle (1915–1982), British composer of 5 symphonies ; Carlos Surinach (1915–1997), American composer of Catalan origin, he wrote 3 symphonies ; Denis ApIvor (1916–2004), British composer of 5 symphonies ; Karl-Birger Blomdahl (1916–1968), Swedish composer of 3 symphonies ; Houston Bright (1916–1970), American composer of 1 symphony ; Peter Crossley-Holland (1916–2001), British composer of 1 symphony ; Henri Dutilleux (1916–2013), French composer of 2 symphonies ; Einar Englund (1916–1999), Finnish composer of 7 symphonies ; Ellis Kohs (1916–2000), American composer of 2 symphonies ; Tolia Nikiprowetzky (1916–1997),

Symphony No. 34 (Haydn)

The scoring of the symphony is typical of Haydn in this period: two oboes, bassoon, two horns, strings and continuo.

List of symphony composers

Gregory Mason (1873–1953), American composer of 3 symphonies ; Henri Rabaud (1873–1949), French composer of 2 symphonies ; Sergei Rachmaninoff (1873–1943), Russian composer of 3 numbered symphonies, as well as the choral symphony The Bells, Op. 35 (1913); also symphonic is the unfinished Youth Symphony in D minor (1891)—see. ; Julius Bittner (1874–1939), Austrian composer of 2 symphonies ; Gustav Holst (1874–1934), English composer of a Symphony F major (The Cotswolds, 1900), as well as a First Choral Symphony (1924), for soprano, mixed chorus, and orchestra (fragmentary sketches also exist for a Second Choral Symphony); in addition, the composer also

List of symphony composers

1 symphony ; Cornelis Dopper (1870–1939), Dutch composer of 7 symphonies ; Emil Młynarski (1870–1935), Polish composer of a Symphony in F major (Polonia, Op. 14, 1910) ; Vítězslav Novák (1870–1949), Czech composer of two unnumbered symphonies (the Autumn Symphony, 1934, for mixed chorus and orchestra; and the May Symphony, 1943, for soloists, mixed chorus, and orchestra) ; Joseph Ryelandt (1870–1965), Belgian composer of 6 symphonies ; Florent Schmitt (1870–1958), French composer of 3 symphonies, chronologically as: a Symphonie concertante, for piano and orchestra (1932); a symphony for strings, Janiana (1941); and a "Symphony No. 2" (1957) ; Hermann Suter

Symphony No. 34 (Mozart)

Symphony No. 34 in C major, K. 338, was written by Wolfgang Amadeus Mozart in 1780, and completed on 29 August.

List of symphony composers

of 3 symphonies (the second for strings) and a Symphonie concertante for trumpet and orchestra ; Nicolai Berezowsky (1900–1953), Russian–American violinist and composer of 4 symphonies ; Willy Burkhard (1900–1955), Swiss composer of 1 symphony (Piccola sinfonia giocosa for small orchestra) ; Alan Bush (1900–1995), British composer of 4 symphonies ; Aaron Copland (1900–1990), American composer of 3 numbered symphonies, a Symphony for organ and orchestra (later arranged without organ as Symphony No. 1), and a Dance Symphony for orchestra. The fourth movement of No. 3 is based on his famous Fanfare for the Common Man ; Pierre-Octave Ferroud (1900–1936),

List of symphony composers

del mar" (1945) ; Hermann Wolfgang von Waltershausen (1882–1954), German composer of 1 symphony ; Paul Hastings Allen (1883–1952), American composer of 8 symphonies ; Sir Arnold Bax (1883–1953), English composer of 7 numbered symphonies, preceded by a Symphony in F major (completed piano score 1907; orchestrated in 2012–13 by Martin Yates); the tone poem Spring Fire (1913) is classified occasionally as an unnumbered, programmatic symphony. Bax also composed a Sinfonietta—see ; Alfredo Casella (1883–1947), Italian composer of 3 symphonies (No. 1, B minor, 1906; No. 2, C minor, 1909; and No. 3, titled Sinfonia, 1940) ; Sir George

List of symphony composers

are three additional symphonic projects in fragmentary form: No. 7, Sinfonia gaia (1936); No. 8 (1937); and No. 9 (c. 1930s) ; Cyril Rootham (1875–1938), English composer of 2 symphonies, of which the Second (The Revelation of St. John, 1938) is for orchestra and chorus ; Donald Tovey (1875–1940), British composer of a Symphony in D major (1913) ; Richard Wetz (1875–1935), German composer of 3 symphonies (No. 1, C minor, 1917; No. 2, A major, 1919; and No. 3, B-flat minor, 1922) ; Hakon Børresen (1876–1954), Danish composer of 3 symphonies (No. 1, C minor, 1901; No. 2,

List of symphony composers

Golubev (1910–1988), Russian composer of 7 symphonies ; Charles Jones (1910–1997), Canadian–American composer of 4 symphonies ; Erland von Koch (1910–2009), Swedish composer of 6 symphonies (No. 1, 1938; No. 2, Sinfonia Dalecarlica, 1945; No. 3, 1948; No. 4, Sinfonia seria, 1953, r. 1962; No. 5, Lapponica, 1977; and No. 6, Salva la terra, 1992); also symphonic is the Sinfonietta (1949) ; Rolf Liebermann (1910–1999), Swiss composer of 1 symphony ; Marijan Lipovšek (1910–1995), Slovenian composer of 1 symphony ; Jean Martinon (1910–1976), French conductor and composer of 4 numbered symphonies plus a sinfonietta and a Symphonie de voyages

List of symphony composers

Mihalovich (1842–1929), Hungarian composer of 4 symphonies ; Arthur Sullivan (1842–1900), British composer of 1 symphony ; Edvard Grieg (1843–1907), Norwegian composer of the Symphony in C minor (1864), as well as sketches for a second. ; Asger Hamerik (1843–1923), Danish conductor and composer of 8 symphonies ; Heinrich von Herzogenberg (1843–1900), Austrian composer of 8 symphonies ; Charles Lefebvre (1843–1917), French composer of 1 symphony ; Miguel Marqués (1843–1918), Spanish composer of 5 symphonies ; Hermann Graedener (1844–1929), German composer of 2 symphonies ; Émile Paladilhe (1844–1926), French composer of 1 symphony ; Nikolai Rimsky-Korsakov (1844–1908), Russian composer of 3 symphonies, the

List of symphony composers

minor, 1914; No. 2, My Country, D minor, 1919; No. 3, Song under the Stars, D-flat major, in one movement, 1929; and No. 4, Invocatio, D minor, for organ and orchestra, 1936) ; Albert Wolff (1884–1970), French conductor and composer of 1 symphony ; Julio Fonseca (1885–1950), Costa Rican composer of the "Great Symphonic Fantasy on folk motifs" ; Henri Collet (1885–1951), French composer of "Symphonie de l'Alhambra" (1947) ; Dimitrie Cuclin (1885–1978), Romanian composer of 20 symphonies ; Werner Josten (1885–1963), German–American composer of 1 symphony ; Otto Klemperer (1885–1973), German conductor and composer of 6 symphonies ;

List of symphony composers

earlier symphony (lost) ; Arnold Walter (1902–1973), Austrian–Canadian composer of 1 symphony ; Sir William Walton (1902–1983), English composer of 2 symphonies ; Meredith Willson (1902–1984), American composer of 2 symphonies ; Stefan Wolpe (1902–1972), German-born composer of a Symphony (1955–56) ; Sir Lennox Berkeley (1903–1989), English composer of 4 symphonies ; Boris Blacher (1903–1975), German composer of 2 symphonies ; Vernon Duke (1903–1969), Russian–American composer of 3 symphonies ; Antiochos Evangelatos (1903–1981), Greek composer of 2 symphonies and 1 sinfonietta ; Jerzy Fitelberg (1903–1951), Polish–American composer of 2 symphonies, plus a symphony for strings and a sinfonietta ; Vittorio


Question: Who was the composer of Symphony No. 8?

Einojuhani Rautavaara
Eino Juhani Rautavaara
Eino-Juhani Rautavaara

Symphony No. 8 (Dvořák)

The Symphony No. 8 in G major, Op. 88, B. 163, is a symphony by Antonín Dvořák, composed in 1889 at Vysoká u Příbramě, Bohemia, on the occasion of his election to the Bohemian Academy of Science, Literature and Arts. Dvořák conducted the premiere in Prague on 2 February 1890. In contrast to other symphonies of both the composer and the period, the music is cheerful and optimistic. It was originally published as Symphony No. 4.

Symphony No. 8 (Sallinen)

The Symphony No. 8 Autumnal Fragments, Op. 81, is the eighth symphony by the Finnish composer Aulis Sallinen. The work was commissioned by the Royal Concertgebouw Orchestra and was completed in October 2001. Its world premiere was given by the Royal Concertgebouw Orchestra conducted by Paavo Järvi at the Concertgebouw on April 16, 2004.

Symphony No. 8 (Bruckner)

Robert Haas published his edition of the Eighth Symphony in 1939. He based it on the 1890 autograph but included passages from 1887 that had been changed or omitted. The Gesamtausgabe describes it as a "Mischform", or mixed form. Nevertheless, it remains a beloved and, perhaps, the most frequently played and recorded edition of the work. Haas argued that Levi's comments were a crippling blow to Bruckner's artistic confidence, even leading him to "entertain suicidal notions", although Haas had no evidence for this. This led, Haas maintained, to Bruckner's three-year effort to revise the Eighth Symphony and many of his earlier works. This line of thought supports Haas' editorial

Symphony No. 8 (Rautavaara)

Finnish composer Einojuhani Rautavaara wrote his Symphony No. 8, subtitled The Journey, in 1999. The total playing time is approximately 28 minutes.

Symphony No. 8 (Villa-Lobos)

Villa-Lobos composed his Eighth Symphony in Rio de Janeiro in 1950. It was first performed at Carnegie Hall in New York on 14 January 1955 by the Philadelphia Orchestra, conducted by the composer. The European premiere took place shortly afterward, on 15 March 1955 at the Salle Gaveau in Paris. The performers were the Orchestra of the Concert Society of the Paris Conservatory, conducted by the composer. The score is dedicated to the New York Times music critic Olin Downes.

Symphony No. 8 (Mahler)

Symphony No. 8 (Mahler)

The Symphony No. 8 in E-flat major by Gustav Mahler is one of the largest-scale choral works in the classical concert repertoire. As it requires huge instrumental and vocal forces it is frequently called the "Symphony of a Thousand", although the work is normally presented with far fewer than a thousand performers and the composer did not sanction that name – actually, he disapproved of it.<ref name="Carr206" /> The work was composed in a single inspired burst at his Maiernigg villa in southern Austria in the summer of 1906. The last of Mahler's works that was premiered in his lifetime, the symphony was a critical and popular success when he conducted the Munich Philharmonic in its first performance, in Munich, on 12 September 1910.

The fusion of song and symphony had been a characteristic of Mahler's early works. In his "middle" compositional period after 1901, a change of style led him to produce three purely instrumental symphonies. The Eighth, marking the end of the middle period, returns to a combination of orchestra and voice in a symphonic context. The structure of the work is unconventional: instead of the normal framework of several movements, the piece is in two parts ("1." and "2. Teil"). Part I is based on the Latin text of Veni creator spiritus ("Come, Creator Spirit"), a ninth-century Christian hymn for Pentecost, and Part II is a setting of the words from the closing scene of Goethe's "Faust". The two parts are unified by a common idea, that of redemption through the power of love, a unity conveyed through shared musical themes.

Mahler had been convinced from the start of the work's significance; in renouncing the pessimism that had marked much of his music, he offered the Eighth as an expression of confidence in the eternal human spirit. In the period following the composer's death, performances were comparatively rare. However, from the mid-20th century onwards the symphony has been heard regularly in concert halls all over the world, and has been recorded many times. While recognising its wide popularity, modern critics have divided opinions on the work; Theodor W. Adorno, Robert Simpson, and Jonathan Carr found its optimism unconvincing, and considered it artistically and musically inferior to Mahler's other symphonies. Conversely, it has been compared by Deryck Cooke to Ludwig van Beethoven's Symphony No. 9 as a defining human statement for its century.

Symphony No. 8 (Dvořák)

Symphony No. 8 (Beethoven)

Symphony No. 8 (Beethoven)

The Symphony No. 8 in F major, Op. 93 is a symphony in four movements composed by Ludwig van Beethoven in 1812. Beethoven fondly referred to it as "my little Symphony in F", distinguishing it from his Sixth Symphony, a longer work also in F.

The Eighth Symphony is generally light-hearted, though not lightweight, and in many places loud, with many accented notes. Various passages in the symphony are heard by some listeners to be musical jokes. As with various other Beethoven works such as the Opus 27 piano sonatas and the later Ninth Symphony, the symphony deviates from Classical tradition in making the last movement the weightiest of the four.

Symphony No. 8 (Mozart)

Symphony No. 8 (Mozart)

The Symphony No. 8 in D major, (K. 48), by Wolfgang Amadeus Mozart is dated December 13, 1768. It was written in Vienna, at a time when the family were already due to have returned home to Salzburg. In a letter to his friend in Salzburg, Lorenz Hagenauer, Leopold Mozart says of the delay that ""we could not bring our affairs to a conclusion earlier, even though I endeavored strenuously to do so.""

Symphony No. 8 (Schubert)

Symphony No. 8 (Schubert)

Franz Schubert's Symphony No. 8 in B minor, D. 759 (sometimes renumbered as Symphony No. 7, in accordance with the revised Deutsch catalogue and the Neue Schubert-Ausgabe), commonly known as the Unfinished Symphony (), is a musical composition that Schubert started in 1822 but left with only two movements—though he lived for another six years. A scherzo, nearly completed in piano score but with only two pages orchestrated, also survives.

It has been theorized by some musicologists, including Brian Newbould, that Schubert may have sketched a finale that instead became the big B minor "entr'acte" from his incidental music to "Rosamunde", but all evidence for this is circumstantial. One possible reason for Schubert's leaving the symphony incomplete is the predominance of the same meter (triple meter). The first movement is in , the second in and the third (an incomplete scherzo) again in . Three consecutive movements in basically the same meter rarely occur in classical symphonies, sonatas, or chamber works.

Schubert's Eighth Symphony is sometimes called the first Romantic symphony due to its emphasis on the lyrical impulse within the dramatic structure of Classical sonata form. Furthermore, its orchestration is not solely tailored for functionality, but specific combinations of instrumental timbre that are prophetic of the later Romantic movement, with astonishing vertical spacing occurring for example at the beginning of the development.

To this day, musicologists still disagree as to why Schubert failed to complete the symphony. Some have speculated that he stopped work in the middle of the scherzo in the fall of 1822 because he associated it with his initial outbreak of syphilis—or that he was distracted by the inspiration for his "Wanderer Fantasy" for solo piano, which occupied his time and energy immediately afterward. It could have been a combination of both factors.

Symphony No. 8 (Villa-Lobos)

Symphony No. 8 is a composition by the Brazilian composer Heitor Villa-Lobos, written in 1950. A performance lasts about 25 minutes

Symphony No. 8 (Bruckner)

As noted above, under the discussion of versions, Nowak left in 1955 an edition of the 1890 version and in 1972 an edition of the 1887 version.

Symphony No. 9 (Villa-Lobos)

Villa-Lobos composed his Ninth Symphony in Rio de Janeiro in 1952. It was first performed by the Philadelphia Orchestra, conducted by Eugene Ormandy. The score is dedicated to Mindinha (Arminda Neves d'Almeida), the composer's companion for the last 23 years of his life.

Symphony No. 8 (Piston)

The Symphony No. 8 by Walter Piston is a symphony dating from 1965.

Symphony No. 8 (Bruckner)

Bruckner began work on the Eighth Symphony in July 1884. Working mainly during the summer vacations from his duties at the University of Vienna and the Vienna Conservatory, the composer had all four movements completed in draft form by August 1885. The orchestration of the work took Bruckner until April 1887 to complete; during this stage of composition, the order of the inner movements was reversed, leaving the Scherzo second and the Adagio as the third movement. In September 1887, Bruckner had the score copied and sent to conductor Hermann Levi. Levi was one of Bruckner's closest collaborators, having given a performance of the Symphony No. 7 in Munich

Symphony No. 8 (Shostakovich)

The Symphony No. 8 in C minor, Op. 65, by Dmitri Shostakovich was written in the summer of 1943, and first performed on November 4 of that year by the USSR Symphony Orchestra under Yevgeny Mravinsky, to whom the work is dedicated. It was named the 'Stalingrad Symphony' by the USSR. The symphony does not appear on concert programs very often, yet many recent scholars have ranked it among the composer’s finest scores. Although some have argued that the work falls within the tradition of other C minor "tragedy to triumph" symphonies, such as Beethoven's Fifth, Brahms' First, Bruckner's Eighth, and Mahler's Second, there is considerable disagreement over the level of optimism present in the final pages. Shostakovich's friend Isaac Glikman called this symphony "his most tragic work". The work, like many of his symphonies, breaks some of the standard conventions of symphonic form and structure. Shostakovich clearly references themes, rhythms and harmonies from his previous symphonies, most notably Symphony No. 5 and Symphony No. 7.

Symphony No. 8 (Dvořák)

Dvořák composed and orchestrated the symphony within the two-and-a-half-month period from 26 August to 8 November 1889 at his summer resort in Vysoká u Příbramě, Bohemia. The score was composed on the occasion of his admission to Prague Academy and dedicated "To the Bohemian Academy of Emperor Franz Joseph for the Encouragement of Arts and Literature, in thanks for my election." Dvořák conducted the premiere in Prague on 2 February 1890. Dvořák tried to achieve a marked difference to his Symphony No. 7, a stormy romantic work. No. 8 would be: "different from the other symphonies, with individual thoughts worked out in a new way". The Eighth is cheery and lyrical and draws its inspiration more from the Bohemian folk music that Dvořák loved.

Symphony No. 8 (Davies)

The Symphony No. 8 (also called the Antarctic Symphony) is an orchestral composition by Peter Maxwell Davies, completed on 15 December 2001.

Symphony No. 8 (Piston)

The Boston Symphony Orchestra commissioned the Eighth Symphony and gave its first performance on March 5, 1965, conducted by Erich Leinsdorf, to whom the score is dedicated. Initially, Piston had preferred to write a flute concerto for the Boston Symphony's principal flautist, Doriot Anthony Dwyer, but Leinsdorf preferred a symphony. The concerto was eventually composed in 1971. According to another account, however, it was Piston himself who expressed a preference for a symphony.

Symphony No. 8 (Bruckner)

Anton Bruckner's Symphony No. 8 in C minor, WAB 108, is the last symphony the composer completed. It exists in two major versions of 1887 and 1890. It was premiered under conductor Hans Richter in 1892 at the Musikverein, Vienna. It is dedicated to the Emperor Franz Joseph I of Austria. This symphony is sometimes nicknamed The Apocalyptic, but this was not a name Bruckner gave to the work himself. In the article "The 20 Greatest Symphonies of all time" from BBC Music Magazine, this symphony is placed at the 13th position. Bruckner also holds the 20th place with his Symphony No. 7.

Symphony No. 8 (Glazunov)

Allegro moderato ( = 100) ; Mesto ( = 50–54) ; Allegro ( = 120) ; Finale: Moderato sostenuto ( = 66) The Symphony No. 8 in E-flat major, Op. 83, was composed by Alexander Glazunov in 1905, and was published two years later. This four-movement symphony (his last one) was premiered on December 22, 1906 in Saint Petersburg, the composer conducting. It was an important influence on Igor Stravinsky's Symphony in E-flat. It is in four movements:

Symphony No. 8 (Vaughan Williams)

Ralph Vaughan Williams's Symphony No. 8 in D minor was composed between 1953 and 1955. Sir John Barbirolli, its dedicatee, conducted the Hallé Orchestra in the premiere at the Free Trade Hall in Manchester on 2 May 1956. It is the shortest of the composer's nine symphonies, and is mostly buoyant and optimistic in tone.

Symphony No. 8 (Haydn)

Joseph Haydn wrote his Symphony No. 8 in G major under the employ of Prince Paul II Anton Esterházy in Spring 1761, in the transition between the Baroque and Classical periods. It is the third part of a set of three symphonies that Prince Anton had commissioned him to write – Le matin ("Morning"; No. 6), Le midi ("Noon"; No. 7) and Le soir ("Evening"; No. 8). He had given him as inspiration the three times of Day.

Symphony No. 8 (Simpson)

The Symphony No. 8 by Robert Simpson was completed in 1981 and commissioned by the Royal Philharmonic Society. The first performance was given at the Royal Festival Hall on 10 November 1982 by the Royal Danish Orchestra conducted by Jerzy Semkow. The work employs a large orchestra which includes two sets of timpani and four horns. It one of Simpson’s largest, richest and most complex scores. Prior to composing this work, Simpson had in mind to write a symphony for one particular listener and decided asked a close friend, painter Anthony Dorrell, to describe the kind of symphony he would

Symphony, D 708A (Schubert)

orchestral score for his seventh symphony, although piano sketches exist for the eighth. These four unfinished symphonies thus show how Schubert was, as he stated in a letter from the mid-1820s, preoccupied with "planning a path to [write] a grand symphony [plans he would realize in the ninth symphony]", with his string quartets, octet and these unfinished symphonies as intermediate steps in this plan. The unusually large number of unfinished symphonies on the way to the ninth from the sixth show how preoccupied he was with writing this great symphony, and how important this plan was to him. Schubert's reasons for abandoning D


Question: Who was the composer of One More Time?

James LaBrie
Kevin James LaBrie
00219295358 IPI

Time UK (band)

One More Time (DRCD 041, Detour Records, 2002)

Nottz production discography

"One More Time"

One More Time (One More Time album)

One More Time is the second album by the Swedish pop group One More Time and was released in 1994. The album did not continue the international success of the group's first album, and One More Time did not enter the Swedish Albums Chart. Three songs were released as singles; "Song of Fête", "Get Out" and "The Dolphin". The first song was the only one that entered the Swedish Singles Chart, where it peaked at number 36. Dazzle Light was a re-recording of a song included on one of Sound of Music's album (both Peter Grönvall and Nanne Grönvall were members of Sound of Music and One More Time).

One More Time (Twice song)

"One More Time" was composed by Na.Zu.Na, Yu-ki Kokubo and Yhanael, with lyrics written by Natsumi Watanabe and Yhanael. Yhanael previously wrote the lyrics for Twice's "Like Ooh-Ahh (Japanese ver.)". The song enlists some 90's electronica vibes that deviate from the EDM with a combination of the blaring synths and loud bass.

One More Time (1970 film)

Slightly before the release of the film, per the era's customary timing, a novelization of the screenplay was released by Popular Library. The author was Michael Avallone.

One More Time (Daft Punk song)

One More Time (Daft Punk song)

"One More Time" is a song by the French electronic music duo Daft Punk, released as a single from their second studio album, "Discovery" (2001), on 13 November 2000. It is a French house song featuring a stylistically Auto-Tuned vocal performance by Romanthony. The music video forms part of the 2003 anime film, "". "One More Time" reached number one on the French Singles Chart, number two on the UK Singles Chart, and number 61 on the US "Billboard" Hot 100.

"The Village Voice"s Pazz & Jop annual year-end critics' poll named "One More Time" one of the best songs of the year. It was named one of the greatest songs of the decade by "Pitchfork", and "Rolling Stone" named it one of "The 500 Greatest Songs of All Time". "Mixmag" readers voted it the greatest dance record of all time.

One Last Time (Ariana Grande song)

One Last Time (Ariana Grande song)

"One Last Time" is a song recorded by American singer Ariana Grande for her second studio album "My Everything". It was written by David Guetta, Savan Kotecha, Giorgio Tuinfort, Rami Yacoub, and Carl Falk. The song was produced by the latter two, with Tuinfort serving as a co-producer and Ilya serving both as a co-producer and vocal producer. "One Last Time" was first released on the iTunes Store on August 22, 2014, as the second promotional single from the album. On February 10, 2015, the song was sent to contemporary hit radio as the fifth and final single from the album. A French version of the song featuring French singer Kendji Girac, alternatively titled "Attends-moi", was released on February 16, 2015, in France, Belgium and Switzerland. It is also included on the deluxe version of Girac's debut studio album "Kendji" (2015). An Italian version of the song featuring Italian rapper Fedez was released on May 26, 2015, only in Italy.

"One Last Time" is a dance-pop and EDM song. Its instrumentation consists of sampled drums and a synth line. The single reached the top-twenty in twelve countries, including Australia, Canada, France, the United Kingdom and the United States, where it became Grande's sixth top-twenty single on the US "Billboard" Hot 100. The single's peak of number 13 on the US "Billboard" Hot 100 ended Grande's streak of consecutive top ten hits from 2014. It was later certified platinum by the Recording Industry Association of America (RIAA) and Australian Recording Industry Association (ARIA).

The song's accompanying music video was released on February 15, 2015, and was directed by Max Landis. The music video is visually presented as a found footage, similar to Landis' previous work. The video faced controversy due to its similarity to the music video for the Australian band SAFIA's single "You Are the One", with Grande and Landis being accused of intellectual property theft. Grande promoted the song with a live performance on "The Tonight Show Starring Jimmy Fallon", the 2015 NBA All-Star Game halftime show, and during her first world tour, The Honeymoon Tour (2015).

Grande re-released "One Last Time" as a charity single in June 2017, following the Manchester Arena bombing at her concert the previous month. This resulted in the song reaching a new peak of number 2 on the UK Singles Chart following the One Love Manchester concert, as well as reaching a new peak of number 15 in the Irish Singles Chart and peaked at number one in Scotland. Grande donated all proceeds from the re-release to the We Love Manchester Emergency Fund to aid the victims of the bombing and their families. Overall, the song reached a top-ten peak in Belgium, the Czech Republic, France, Italy, Lebanon, the Netherlands, Slovakia, the United Kingdom and the top-twenty of Australia, Canada, Denmark, Ireland, Spain and the United States.

One More Time (Laura Pausini song)

One More Time (Laura Pausini song)

"One More Time" is a song by Richard Marx which he wrote for Laura Pausini. Later Marx recorded the song for his sixth studio album, "Days in Avalon". Pausini's version was originally released in 1999 for the movie "Message in a Bottle".

The song is available on both Pausini's greatest hits compilations, """" and ""20 - The Greatest Hits"".

The song was performed live during Pausini's third world tour. Live versions were included on Pausini's first DVD. There is a little-known video clip of an acoustic performance of the song included on Pausini's now-discontinued Video Collection.

...Baby One More Time (song)

...Baby One More Time (song)

"...Baby One More Time" is the debut single of American singer Britney Spears from her debut studio album of the same title (1999). It was written by Max Martin and produced by Martin and Rami. Released on September 28, 1998, by Jive Records, the song became a worldwide hit, topping the charts in at least 22 countries, including the United Kingdom, where it earned triple-platinum certification from the British Phonographic Industry (BPI) and was the country's best-selling single of 1999. The song is one of the best-selling singles of all time, with over 10 million copies sold.

An accompanying music video, directed by Nigel Dick, features Spears as a high school student who starts to sing and dance around the school, while watching her love interest from afar. In 2010, the music video for "...Baby One More Time" was voted the third most influential video in the history of pop music, in a poll held by Jam!. In 2011, "...Baby One More Time" was voted by "Billboard" to be the best music video of the 1990s. It has been featured on all of her greatest hits and other compilation albums. In 2020, "Rolling Stone" named "...Baby One More Time" as the greatest debut single of all time.<ref name=rsdebut/> In 2021, the song was ranked at number 205 on the list of "Rolling Stone"s 500 Greatest Songs of All Time.

Spears has performed "...Baby One More Time" in a number of live appearances and during all of her concert tours. The song was nominated for Best Female Pop Vocal Performance at the 42nd Annual Grammy Awards (2000), and has been included in lists by "Blender", "Rolling Stone" and VH1. It has been noted for redefining the sound of late 1990s music. Spears has named "...Baby One More Time" as one of her favorite songs from her catalog. It was also the final song to be played on the BBC's music programme "Top of the Pops" in the 1990s. It is also featured in the 2011 dance video game by Ubisoft, "Just Dance 3". In 2018, readers of German teen magazine "Bravo" voted "...Baby One More Time" to be the biggest hit since its first music compilation was released in 1992.

One More Time (band)

One More Time (band)

One More Time is a Swedish pop group, formed in 1991. Its members are Peter Grönvall, his wife Nanne Grönvall and Maria Rådsten.<ref name="LarkinHR"/> A fourth member, Thérèse Löf, left the group shortly after the first album was released.

In 1992, they began their international career with the release of the single "Highland",<ref name="LarkinHR" /> which peaked at No. 1 in Belgium, No. 2 in Sweden, and the top 80 in several countries in Europe, such as the Netherlands, UK and Germany. The "Highland" album, on which the single was featured, went gold in South Africa. Their second self-titled album, which followed in 1994, was not as successful as the previous album. But the third album, their first in Swedish, was a successful reentry to the Swedish charts in 1996. They also released an English version of the album. The group toured frequently in Europe for several years, but in 1998, they decided not to tour abroad anymore, since they wanted to be present at home for their, by that time, small kids.

In the summer of 2021, One More Time announced that the band will reunite after a 24-year break.

Nanne Grönvall has had a successful solo career in Sweden since her first solo album was released in 1998.

Peter Grönvall is the son of ABBA's Benny Andersson.<ref name="LarkinHR"/>

One More Time (2015 film)

The film was released on April 8, 2016, by Starz Digital.

One More Time (Twice song)

Credits adapted from CD single liner notes.

One More Time (1931 song)

"One More Time" is a popular song, one of the last written by the songwriting team of DeSylva, Brown, and Henderson. It was published in 1931. It was the last song recorded by Bing Crosby as a big band singer, before becoming a soloist. Crosby recorded the song for Victor Records with Gus Arnheim and his orchestra on March 2, 1931. The recording was very popular and reached the charts of the day.

One More Time (Real McCoy album)

From discogs.

One More Once

One More Once is a 1994 album by the Latin jazz pianist Michel Camilo.

One More Time (1970 film)

The film was released on DVD on January 25, 2005.

One More Time (Real McCoy album)

Olaf Jeglitza (O-Jay) ; Vanessa Mason ; Lisa Cork

One More Time (Canadian TV series)

One More Time was a Canadian music television series which aired on CBC Television from 1969 to 1970.

One More Time (Daft Punk song)

One More Time (One More Time album)

1) Symphony of Doom ; 2) Get Out ; 3) The Dolphin ; 4) Anguish Kept in Secrecy ; 5) Song of Fête ; 6) Time ; 7) Moments of Passion ; 8) Dazzle Light ; 9) Chance of a Lifetime ; 10) Fairytale

One More Time (band)

Peter Grönvall (1991-1997) ; Nanne Grönvall (1991-1997) ; Maria Rådsten (1991-1997) ; Thérèse Löf (1991-1992)

One More Time (Real McCoy song)

"One More Time" is the lead single from the album, One More Time by the German Eurodance and Pop music project Real McCoy. Released in 1997, it was a Top 5 single in Australia, where it was certified Platinum. The song also reached number-one on the Canadian dance music chart and number 14 on the Hot Dance Club Songs chart in the US.

One More Time (Real McCoy album)

Juergen Wind (J. Wind) - Executive Producer ; Berman Brothers ; Per Adebratt, Douglas Carr & Tony Ekman for Lemon Productions

One More Time (Real McCoy album)

One More Time is the second studio album by Real McCoy under Arista Records and the third under BMG Berlin. It was the follow-up to the multi-platinum selling album Another Night. Music producer Juergen Wind (J. Wind) wrote and produced the album with the Sweden based production team known as Lemon Productions (Per Adebratt, Douglas Carr & Tony Ekman). American songwriter Brent Argovitz and German rapper Olaf Jeglitza worked together as songwriters on the album. A producer duo known as the Berman Brothers also produced a Shania Twain cover for the album and made the remixes for the singles. For promotional reasons, Jeglitza was credited as an Executive

One More Time (1970 film)

The film was the only one that Lewis directed but did not star in, although he does have a role as the off-screen voice of the bandleader.