In art Edit

The tradition of depicting humans who have become immortals is an ancient practice in Chinese art, and when religious Taoism gained popularity, it quickly picked up this tradition with its own immortals.[citation needed] While cults dedicated to various Taoist immortals date back to the Han dynasty, the popular and well-known Eight Immortals first appeared in the Jin dynasty. The art of the Jin tombs of the 12th and 13th centuries depicts a group of eight Taoist immortals in wall murals and sculptures. They officially became known as the Eight Immortals in the writings and works of art of the Taoist group known as the Complete Realization (Quanshen). The most famous art depiction of the Eight Immortals from this period is a mural of them in the Eternal Joy Temple (Yongle Gong) at Ruicheng. The Eight Immortals are considered to be signs of prosperity and longevity, so they are popular themes in ancient and medieval art. They were frequent adornments on celadon vases. They were also common in sculptures owned by the nobility. Their most common appearance, however, was in paintings.[citation needed] Many silk paintings, wall murals, and wood block prints remain of the Eight Immortals. They were often depicted either together in one group, or alone to give more homage to that specific immortal. An interesting feature of early Eight Immortal artwork is that they are often accompanied by jade hand maidens, commonly depicted servants of the higher ranked deities, or other images showing great spiritual power. This shows that early on, the Eight Immortals quickly became eminent figures of the Taoist religion and had great importance.[citation needed] We can see this importance is only heightened in the Ming and Qing dynasties. During these dynasties, the Eight Immortals were very frequently associated with other prominent spiritual deities in artwork. There are numerous paintings with them and the Three Stars (the gods of longevity, prosperity, and good fortune) together. Also, other deities of importance, such as the Queen Mother of the West, are commonly seen in the company of the Eight Immortals. The artwork of the Eight Immortals is not limited to paintings or other visual arts. They are quite prominent in written works too. Authors and playwrights wrote numerous stories and plays on the Eight Immortals. One famous story that has been rewritten many times and turned into several plays (the most famous written by Mu Zhiyuan in the Yuan Dynasty) is The Yellow-Millet Dream, which is the story of how Lǚ Dòngbīn met Zhongli Quan and began his path to immortality.[1]

In literature Edit

Myths and Legends of China.[2] Clockwise in the boat starting from the stern: He Xian'gu, Han Xiang Zi, Lan Caihe, Li Tieguai, Lü Dongbin, Zhongli Quan, Cao Guojiu and outside the boat is Zhang Guo Lao. The Eight Immortals crossing the sea, fromClockwise in the boat starting from the stern: He Xian'gu, Han Xiang Zi, Lan Caihe, Li Tieguai, Lü Dongbin, Zhongli Quan, Cao Guojiu and outside the boat is Zhang Guo Lao. The Immortals are the subject of many artistic creations, such as paintings and sculptures. Examples of writings about them include: The Yueyang Tower by Ma Zhiyuan

by Ma Zhiyuan The Bamboo-leaved Boat (竹葉船 zhú yè chuán) by Fan Zi'an (范子安 fàn zǐ ān)

(竹葉船 zhú yè chuán) by Fan Zi'an (范子安 fàn zǐ ān) The Willow in the South of the City (城南柳 chéng nán liǔ) by Gu Zijing (谷子敬 gǔ zǐ jìng)

(城南柳 chéng nán liǔ) by Gu Zijing (谷子敬 gǔ zǐ jìng) The most significant is The Eight Immortals Depart and Travel to the East (八仙出處東遊記 bā xiān chū chù dōng yoú jì) by Wu Yuantai (吳元泰 wú yuán taì) in the Ming Dynasty.

(八仙出處東遊記 bā xiān chū chù dōng yoú jì) by Wu Yuantai (吳元泰 wú yuán taì) in the Ming Dynasty. There is another work, also made during the Ming (c. 14th-15th centuries), by an anonymous writer, called The Eight Immortals Cross the Sea (八仙過海 bā xiān guò hǎi). It is about the Immortals on their way to attend the Conference of the Magical Peach (蟠桃會 pán taó huì) when they encounter an ocean. Instead of relying on their clouds to get them across, Lü Dongbin suggested that they each should exercise their unique powers to get across. Derived from this, the Chinese proverb "The Eight Immortals cross the sea, each reveals its divine powers" (八仙過海，各顯神通 ~, gè xiǎn shén tōng) indicates the situation that everybody shows off their skills and expertise to achieve a common goal.

In qigong and martial art Edit

Furthermore, they have been linked to the initial development of qigong exercises such as the Eight Piece Brocade.[3] There are some Chinese martial arts styles named after them, which use fighting techniques that are attributed to the characteristics of each immortal.[4] Some drunken boxing styles make extensive use of the Eight Immortals archetypes for conditioning, qigong/meditation and combat training.[5] One subsection of BaYingQuan drunken fist training includes methodologies for each of the eight immortals.

Reverence Edit

Established in the Song Dynasty, the Xi'an temple Eight Immortals Palace (八仙宮), formerly Eight Immortals Nunnery (八仙庵), is where statues of the Immortals can be found in the Hall of Eight Immortals (八仙殿). There are many other shrines dedicated to them throughout China and Taiwan. In Singapore, the Xian'gu Temple (仙姑殿) has the Immortal Woman He from the group as its focus of devotion.

Depictions in popular culture Edit

References Edit

Further reading Edit