It’s not often the entire internet has the requisite attention span for a longread, but today it seemed like all anyone could talk about online was “My Family’s Slave,” the cover story in this week’s issue of The Atlantic.

In the article, writer Alex Tizon (who died in March) profiles Lola, the woman who was his family’s secret slave in the Philippines, and who remained their slave when they moved to America.

“My parents never paid her, and they scolded her constantly,” Tizon writes. “She wasn’t kept in leg irons, but she might as well have been.”

Tizon describes his attempts to defend Lola as a child, while simultaneously hiding her existence from his friends. As he gets older, he tries to help Lola survive in America—and once Tizon’s parents die, Lola comes to live with him. While she sometimes drives him crazy, she also progresses in many ways (like learning to read and going back to the Philippines to visit her family). And five years after Lola dies, Tizon returns her ashes to the rural village where she was born.

The phrase “My Family’s Slave” was a trending topic all day, as reporters sang the article’s praises and noted that The Atlantic was in a way going back to its roots as an abolitionist publication.

But many female and minority readers (Filipinos in particular) were not nearly as enthusiastic, pointing out that empathy only goes so far and that Tizon waited far too long to help Lola once he was able to. Others pointed out that Tizon’s mother worked at Fairview Training Center, a home for the developmentally disabled where they were called “inmates” and underwent forced hysterectomies, vasectomies and castrations:

Read "My Family's Slave" &I just literally wanted to reach into the story and punch every fucker in the Tizon family, including the author. — ✡️Josh Shahryar ☪ (@JShahryar) May 16, 2017

Here's what the Fairview Training Center ACTUALLY was like… a place where human beings were tortured by monsters. pic.twitter.com/UtcBGOWeoY — ✡️Josh Shahryar ☪ (@JShahryar) May 16, 2017

What I am surprised about is that The Atlantic actually read this story, cried over it, but refused to dig deeper into Fairview. — ✡️Josh Shahryar ☪ (@JShahryar) May 16, 2017

Notice how never once in the story does Alex Tizon apologize himself? Slavery isn't circumstantial. It's deliberate. — ✡️Josh Shahryar ☪ (@JShahryar) May 16, 2017

She wasn't cleaning out of habit. She was cleaning because she was mentally wired to clean or she would face abuse. — ✡️Josh Shahryar ☪ (@JShahryar) May 16, 2017

The monsters in the Tizon family had spent decades taking away her humanity and instead of an apology we get excuses? Fuck you, Alex. — ✡️Josh Shahryar ☪ (@JShahryar) May 16, 2017

But perhaps what angers me most is the gall of Alex Tizon to not even once point fingers at himself as a slaveholder. — ✡️Josh Shahryar ☪ (@JShahryar) May 16, 2017

As much as I love Tizon's piece though… Did anyone else get a whiff of that "White Man's Burden" thing going on? — Nik (@iwriteasiwrite) May 17, 2017

Take a cold hard look at the system that allowed the Tizons to keep this woman a secret. And at the US's complicity in modern day slavery. — Nik (@iwriteasiwrite) May 17, 2017

Alex Tizon Was Complicit in the Systemic Oppression of Filipino Househelp And So Are You (A Conspiracy Theory Thread): — Apa (@apaagbayani) May 17, 2017

Westerners commenting on the Tizon piece. You were nurtured by slavery in every century including this one. YA'LL JUST REBRANDED. — Yna Musico (@YnaMusico) May 17, 2017

Where do our Filipino voices fit in, in a context that unconsciously pushes us away from our own stories? Y can we only be involved so much? — Yna Musico (@YnaMusico) May 17, 2017

I am so upset about the My Family's Slave article… are we now just OK with slave narratives as long as a minority is helming the whip? — Shanelle Little (@ShanelleLittle) May 16, 2017

I am disgusted. Am I supposed to feel bad for the author? As they gloss over that SHE ASKED FOR FREEDOM?

I can't believe people love this — Shanelle Little (@ShanelleLittle) May 16, 2017

He is now complaining that the SLAVE THAT HIS FAMILY NEVER FREED annoyed him when he let her stay in his home. pic.twitter.com/h5FLikuupG — Shanelle Little (@ShanelleLittle) May 16, 2017

No matter his eloquence, this is still the perspective of the master's son in a dramatically unequal relationship https://t.co/Qk4PmrFwpc — sukjong hong (@hongriver) May 16, 2017

He went from being a child who didn't know that what his family was doing was wrong – into a writer who could spin it all so beautifully — sukjong hong (@hongriver) May 16, 2017

Every one of these threads is well worth reading in full.

The Atlantic declined an Observer request for comment.