Plot Edit

In 2005, the war between the Autobots and Decepticons has culminated in the Decepticons conquering their home planet Cybertron, while the Autobots operate from its two moons preparing a counter-offensive. Optimus Prime sends an Autobot shuttle to Earth's Autobot City for Energon supplies, but the Decepticons, led by Megatron, commandeer the ship and kill the crew, consisting of Ironhide, Ratchet, Prowl and Brawn. Travelling to Earth, the Decepticons attack Autobot City, slaughtering many Autobots and leaving only a small group alive including Hot Rod, Kup, Ultra Magnus, Arcee, Springer, Blurr, Perceptor, Blaster, and the human Daniel Witwicky. The next day, Optimus and the Dinobots arrive as reinforcements. Optimus single-handedly defeats the Decepticons and engages Megatron in a climactic battle that leaves both of them mortally wounded. On his deathbed, Optimus passes the Matrix of Leadership to Ultra Magnus, informing him that its power will light the Autobots' darkest hour, and dies. Elsewhere, the Decepticons jettison their wounded from Astrotrain, including Megatron at the hands of his treacherous second-in-command Starscream. The wounded are found by Unicron, a gigantic sentient cyber-planet who consumes other planets. Unicron offers Megatron a new body in exchange for destroying the Matrix, which has the ability to destroy him. Megatron agrees and is converted into Galvatron, gaining new troops from the other Decepticons present. Going to Cybertron, Galvatron crashes Starscream's coronation as Decepticon commander and destroys him, before travelling to Autobot City to eliminate Ultra Magnus. The surviving Autobots escape in separate shuttles, which are damaged by the Decepticons and crash land on different planets. Hot Rod and Kup are taken prisoner by the Quintessons, multi-faced tyrants who hold kangaroo courts and execute prisoners by feeding them to the Sharkticons. Hot Rod and Kup learn of Unicron from Kranix, a survivor of Lithone – a planet devoured by Unicron. After Kranix is executed, Hot Rod and Kup escape their own trial, aided by the arrival of the Dinobots and the small Autobot Wheelie, who helps them find a ship to leave the planet. The other Autobots land on the Junk Planet, where Galvatron kills Ultra Magnus and seizes the Matrix, intending on using it to control Unicron. The Autobots reunite and befriend the local Junkions, led by Wreck-Gar, who then rebuild Magnus. Learning Galvatron has the Matrix, the Autobots and Junkions fly to Cybertron, which Unicron, discovered to be a gigantic Transformer also now in robot form, begins to destroy. The Autobots crash their spaceship through Unicron's eye, but they end up separated. Daniel rescues his father Spike and Jazz, Bumblebee, and Cliffjumper from being devoured. Hot Rod confronts Galvatron, who tries to form an alliance, but is forced into attacking Hot Rod by Unicron. Hot Rod obtains the Matrix, which converts him into Rodimus Prime, the Autobot that Optimus said would light their darkest hour. Rodimus tosses Galvatron into space and uses the Matrix's power to destroy Unicron from the inside. The Autobots celebrate the war's end and Cybertron's retaking - while Unicron's severed head orbits Cybertron

Cast Edit

Production Edit

The film was budgeted at $6 million, six times greater than the budget used to create 90 minutes of the regular cartoon series.[3] Nelson Shin's team of almost one hundred personnel normally took three months to make one episode of the series, so, despite the extra budget, faced considerable time constraints in making the film whilst also continuing production on the TV series at the same time.[3] According to Shin, the decisions on which characters to include or kill off were made by Hasbro. "They created the story using characters that could best be merchandised for the film. Only with that consideration could I have freedom to change the storyline." Shin also came up with the concept of the Transformers changing color when they died: "When Optimus Prime died, I changed his color from red and blue into grey to show the spirit was gone from his body."[3] Toei Animation Vice President Kozo Morishita spent one year in the US during production of the film. Morishita supervised the art direction, insisting the Transformers themselves be given several layers of shading and shadows to give them a more dynamic, detailed appearance.[10] The Transformers: The Movie was the final film to which Orson Welles contributed.[11] Welles was in declining health during production. Shortly before he died, he told his biographer, Barbara Leaming, "You know what I did this morning? I played the voice of a toy." He elaborated, "I play a planet. I menace somebody called Something-or-other. Then I'm destroyed. My plan to destroy Whoever-it-is is thwarted and I tear myself apart on the screen."[12] According to director Nelson Shin, Welles had been pleased to accept the role after reading the script and had expressed an admiration for animated films.[3] The voicework for The Transformers: The Movie was the last film project he worked on; his last voice session was on October 5, 1985, and five days later, Welles died of a heart attack.[13]

Music Edit

Release Edit

Reception Edit

The Transformers: The Movie received mixed reviews and currently has 57% positive reviews on Rotten Tomatoes with 23 counted reviews (13 "fresh", 10 "rotten") giving it a "Rotten" rating, with the Critics Consensus calling it "A surprisingly dark, emotional, and almost excessively cynical experience for Transformers fans." The film has an average rating of 5.3 out of 10.[25] Film historian Leonard Maltin called the picture a "BOMB" (the lowest possible rating in his Movie & Video Guide), and "Little more than an obnoxious, feature-length toy commercial...That deafening rock score certainly doesn't help." Caryn James of The New York Times described the film by stating, "While all this action may captivate young children, the animation is not spectacular enough to dazzle adults, and the Transformers have few truly human elements to lure parents along, even when their voices are supplied by well-known actors."[6] "Though a modest film compared with Michael Bay's (2007 Transformers), the original Transformers is the better film," wrote John Swansburg of Slate. "[T]here's nothing even approaching the original's narrative depth. The good guys beat the bad guys, and no one we care about is harmed in the process—the movie hasn't succeeded in making us care about anyone."[26] Gabe Toro of CinemaBlend wrote in 2014: "...Transformers: The Movie otherwise provides the sort of chase-heavy thrills that comes from robots that can become cars. Contrast that with Michael Bay's vision, where the robots basically abandon their transforming skills to have endless, violent punch-outs that annihilate cities. Bay's films show the action as a junkyard orgy. The '86 offering slows down to allow for actors like Leonard Nimoy and, yes, even Orson Welles to give actual performances. Fans of Michael Bay's Transformers movies are free to enjoy them. But they'll never top the gravity and excitement of The Transformers: The Movie."[27] "[N]ostalgia is a funny thing: for many of us in the 30-and-over Transformers fan club, that first movie was an integral part of our childhood. To hell with what the reviews said — the O.G. Transformers movie rocked our collective worlds," Kashann Kilson of Inverse wrote in 2015: "We still love the original so much today, part of the fun of watching Bay’s explosion-fests is being able to wave our canes at the youngsters and wax poetic about how back in our day, Hollywood knew how to make a real movie about giant, alien robot warriors."[28]

Comic book adaptations Edit

Notes Edit

^ The Transformers: The Movie printed text on DVD and accompanying packaging reads: "Distributed exclusively in Canada by Seville Pictures."