Howard H. Scott, who was part of the team at Columbia Records that introduced the long-playing vinyl record in 1948 before going on to produce albums with the New York Philharmonic, Glenn Gould, Isaac Stern and many other giants of classical music, died on Sept. 22 in Reading, Pa. He was 92.

The cause was cancer, said his daughter, Andrea K. Scott.

In 1946, Mr. Scott was 26 and just discharged from the Army when he got a job at Columbia Masterworks, the label’s classical division. He was soon assigned to Columbia’s top-secret project: developing a long-playing record to replace the 78 r.p.m. disc, which could hold only about four minutes of music on each brittle shellac side.

The project had begun in 1940 and was nearing completion. But its engineers needed someone with musical training — particularly the ability to read orchestral scores — to help transfer recordings from 78s to the new discs, which played at 331/3 r.p.m., could hold about 22 minutes a side and were made of more durable vinyl.

Howard Hillison Scott fit the bill.

Born in Bridgeport, Conn., on May 31, 1920, he graduated from the Eastman School of Music in 1941 and had just begun graduate piano studies at Juilliard when he was drafted the next year. Back in civilian life in July 1946, he was hired by Columbia as a trainee.

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In the days before magnetic tape came into wide use, the process of transferring music to the new discs (soon to be known as LPs) was complex. Long pieces of music, split among multiple records, needed to be stitched together on the new discs without interruption.