Disciplined Aesthetics: Fashioning Art and Anthropology - Brandon D. Lundy

Part I. Textual Art: Divergent Narratives Art as Distraction: Rocking the Farm Daniel W. Ingersoll and Kathleen Butler Ingersoll A Memoir of an Other - Robert C. Philen Pocahontas and Rebecca: Two Tales of a Captive - Margaret Williamson Huber

Part II. Art Valuation: The Creativity/Conventionality Dialectic Mirror Dance: Tourists, Artists, and First People Heritage in Botswana - Jessica Stephenson A World of Difference: Unity and Differentiation Among Ceramicists in Quinua, Ayacucho, Peru - Jennifer A. Vogt Defining Art in the Gozo International Contemporary Arts Festival - Rachel Syka Thomas Kinkade: Money, Class, and the Aesthetic Economy - Susan Falls

Part III. Critical Art: New Ways of Seeing Style and Configuration in Prehistoric Iconography - Vernon James Knight Jr. Race and Rhythm in Rock and Roll - Hector Qirko Does Our Being There Change What We Come to Study? - Lindsey King

Part IV. Art and Anthropology in Our Classrooms and Colleges Arts Integration as Critical Pedagogy - Elizabeth A. Sheehan The Art of Teaching Anthropology: Examples from Biological Anthropology - Susan Kirkpatrick Smith, Laura D. Lund, and Marilyn R. London The Art of Anthropology at a College in Crisis: Exploring Some Effects of Neoliberalism on Higher Education - Vincent H. Melomo



This volume extends the anthropological dialogue renewed at the 2011 annual meeting of the Southern Anthropological Society (SAS) in Richmond, Virginia, about the dialectical relationship between art and anthropology—how they both influence and are influenced by each other.Buy the Print Edition from UT Press